Christopher Blay is joined by artist Colette Copeland to chat about five ways artists, organizations and spaces continue to get their work in front of an audience during the pandemic shutdown.
countercurrent
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CounterCurrent, the annual performance festival, has announced the lineup for its 2019 program, which will run April 9-14 in locations across Houston.
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Brandon Zech and guest host Julia Claire Wallace on portraits of Houston’s grassroots players, a self-taught painter who fools the eye, and a proliferation of performance art in the coming week.
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CounterCurrent, the annual performance festival organized by University of Houston’s Cynthia Woods Mitchell Center for the Arts, has just announced the lineup for its 2018 program, which will run April…
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Here’s a clip of Sixto Wagan performing at CounterCurrent’s Ten Tiny Dances. Sixto Wagan performing at Ten Tiny Dances at #countercurrent17 @mitchell_center A post shared by Texas Visual Art (@glasstire) on…
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Rainey Knudson and Christina Rees on the return of a beloved art space, artists facing the environmental crisis head-on, and a show of sculptures that charmed the pants off of us both.
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CounterCurrent, the University of Houston’s Cynthia Woods Mitchell Center for the Arts’ annual performance festival, has just announced the lineup for its 2017 program, which will run April 18-23. Utilizing…
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I recently attended Fusebox Festival in Austin and CounterCurrent in Houston. Here are five ways for festival organizers to make their festivals even better for performers and audiences.
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Christina Rees and Brandon Zech on art-world after parties, paintings so heavy they require new walls, and germ factories as art.
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This week all the air in in the Texas art scene is getting sucked out of the room by the two biggest art cities. Dallas has the Dallas Art Fair,…
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The University of Houston’s Cynthia Woods Mitchell Center for the Arts has just announced the lineup for their third annual CounterCurrent festival, happening April 12-17. There will be multiple projects on…
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In my defense, most overtly political art stinks.
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Suzanne Bocanegra’s theatrical symphony included an accordionist, a DJ, a lighting technician, conductor, and fifty amateur violinists.