"As we look to the future, it's crucial that we continue to invest in and support our creative industry."
Op Ed
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EssayOp Ed
Chicano, Post-Chicano, Latinx, and Rasquachismo: Art Terms That Define, Divide, and Unite
Jessica Fuentes speaks with Latinx artists and art professionals across Texas to parse the nuances of labels used to categorize works by artists from the Latin American diaspora.
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Doug Welsh writes about a recent solo show of paintings by Anthony Cudahy that is the most recent on a short list of impactful art experiences.
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A comic by the Houston, Texas-based artist John Forse.
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Jessica Fuentes writes about recent cuts to arts funding across Texas and reflects on the impact on artists, art institutions, and communities.
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Jessica Fuentes writes about "He Said/She Said: Contemporary Women Artists Interject," on view at the Dallas Museum of Art.
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EspañolOp Ed
¿Por qué no hay artistas de Texas en la Bienal del Whitney este año?
by Brandon Zechby Brandon ZechBrandon Zech hace una pregunta pertinente.
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Ruben Cordova writes about Fiesta and proposes ways to make the annual event less tied to San Antonio's racist past.
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Op Ed
Why are there No Texas Artists in this Year’s Whitney Biennial?
by Brandon Zechby Brandon ZechBrandon Zech asks a pertinent question.
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Jill Bedgood writes about ecological sustainability in the art world, challenging us to think creatively about the sustainability of art openings and events.
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Ningún artista despertó un día y dijo de repente “¡de verdad me gustaría decorar una caja eléctrica!”.
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A comic by the Houston, Texas-based artist John Forse.
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When children wander through the museum.
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Jessica Fuentes writes about the past, present, and future of Fort Worth's art scene.
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Matthew Bourbon remembers Vernon Fisher.
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Caleb Bell recalls his recent visit to Lumiere, a mobile tintype portrait studio in Austin.
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Deana Craighead reflects upon her first year as Curator of Art at the Panhandle-Plains Historical Museum in Canyon, Texas.
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Gonna find out who's naughty and nice.
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William Sarradet recounts his favorite moments from 2022 that didn't make it to publication.
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John Forse imagines Norman Rockwell's iconic "Freedom from Want" as a victim of the recent food-inspired climate change protests.