Today: Hot dog fingers
Drive By
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In remembrance of Dan Graham, here's a mixtape CD compiled by the artist.
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This and That: Brancusi and Clay in The Contemporary Austin’s Online Shop
by Brandon Zechby Brandon ZechToday: Anthropomorphic hugging
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FotoFest’s choice to show Leo Ramadinha’s voyeuristic imagery of young people participating in COVID-safe online Zoom raves is surprisingly transgressive.
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This and That: Andrea McGinty and Craig Ferguson’s Late Late Show
by Brandon Zechby Brandon ZechToday: Horse costumes
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Jessica Fuentes on “Cuntrol: A Lavish Socioeconomic Ecosystem Controlling the Underfunded,” an installation by Sarah Ayala in collaboration with Deryk Poynor.
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Hot off the Press: Natasha Bowdoin’s “Wild Eyed” Offers a Unique Look at her Work
by Caleb Bellby Caleb BellCaleb Bell on a recently published book that offers a unique view into the practice of Houston artist Natasha Bowdoin.
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Colette Copeland reviews an exhibition of photographs by artist Patty Carroll at PDNB Gallery in Dallas.
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Today: Monuments of Progress
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Today: Rearview Mirrors
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Today: Additive processes
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Writer Colette Copeland visits artist Kristen Cochran at the TCU Moudy Gallery.
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William Sarradet on the YouTuber Drew Monson, the new Matrix movie, and the animated film "Belle."
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Jessica Fuentes reviews “With Pleasure,” an exhibition of works by TCU’s second year MFA candidates Sheryl Anaya, Benjamin Loftis, Madi Ortega, and Sarah Theurer Hunt.
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In April 2020, artist Brad Tucker took over Glasstire's Instagram account. Here are the videos from his project.
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Jessica Fuentes reviews "Unseen," a solo show by Sharidyn Barnes at Daisha Board Gallery.
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Rolling Along: Linnea Glatt’s “Harrow” Returns to Lubben Plaza in Dallas
by Caleb Bellby Caleb Bell"Of course, it means so much to me that the piece is now rolling along once again. After being at the site recently in its departure and refurbished return, I was very heartened that people are still embracing and curious about the work."
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Today: Marbles
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Today: Curved paintings
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The narrative is intriguing and can be contextualized as part of a larger movement of revisiting and investigating the lives and work of women artists who have been overlooked, undervalued, and sometimes completely forgotten by the art historical canon.