Caroline Frost

Caroline Frost reviews an exhibition in Marfa of artworks by Cody Barber that blend action, form, and color.

Caroline Frost explores themes of doubling in the playful and sensuous paintings of Charlotte Fox, on view in “Sour” at McLennon Pen Co. Gallery in Austin.

Caroline Frost reviews the inaugural edition of the Affordable Art Fair in Austin, Texas, which ran from May 16-19, 2024.

Caroline Frost reviews a show of works by Joe Harjo that confront the impacts the Trail of Tears had on Muscogee women and other Native tribes.

Caroline Frost reviews an exhibition at The Contemporary Austin that explores the past, present, and future of land use and labor.

Caroline Frost reviews Northern-Southern's exhibition "The Source," featuring work by artists Lauren Moya Ford and Evan Horn.

Caroline Frost reviews an exhibition featuring artists shown by the legendary Arizona art dealer Elaine Horwitch.

Caroline Frost writes about the opening of McLennon Pen Co., a new gallery in Austin.

Caroline Frost reviews "Dream States," a show of works by five filmmakers on view at ICOSA Collective in Austin.

Caroline Frost reviews David Alcantar's exhibition "The Superman Project (Part IV): Person Today," on view at Mercury Project in San Antonio.

Caroline Frost on the history and tenacity of Red and White Gallery, which is located between Houston and Austin in Fayetteville, Texas.

Caroline Frost talks with artist and organizer Jacqueline Overby about her practice, the upcoming San Marcos Studio Tour, and the creation of MotherShip Studios.

Caroline Frost reflects on her first visit to Shedshows, a new project space in Austin showing work by local artists.

Caroline Frost on Rachel Wolfson Smith's examinations of our collective past, present, and future.

Caroline Frost interviews the prolific photographer George Krause, who lives and works in Wimberley, Texas.

Caroline Frost on artist Sara Oppenheimer's recent site-specific public art commission, acquired by Landmarks and on view at UT Austin.

Caroline Frost reviews the exhibition "Connective Tissues: Printed and Published," on view at the Visual Arts Center at UT Austin.

Caroline Frost interviews artist Sarah Sudhoff about her project "Focusing Screen," on view in ICOSA's Window Dressing series in Austin.

Caroline Frost reviews a citywide exhibition of work artist Bill Hutson in San Marcos. The show spans five exhibition venues in the city.

Cox’s work is subversive because he uses the same iconography that perpetuates the myth of Manifest Destiny to expose it as a farce.