Austin

Ongoing

Laurie Frick: Quantify Me

Women & Their Work

Last Chance - January 12 through February 23, 2012

Frick hand-builds rhythmic works and installations from modest materials that stimulate the neural processing of memory. Recycled cardboard, hand towels, junk mail, gallery cards, old paper-back book covers, found wood – each registers as familiar texture we’ve all touched and experienced. The work pulls from Frick's background in engineering and high-technology to explore science, human pattern and compulsive organization.

Jacques Louis Vidal: Free Range Sculpture

Champion

Last Chance - January 26 through February 25, 2012

Carved wooden sculptures atop a wide, low plinth engage in various surreal dramas: two heads are connected by a nose, a form in a cage entangles itself, a hand emerges from a top hat.

Ian Shults: New Works

Wally Workman Gallery

Last Chance - February 4 through 25, 2012

Vintage reprobates and swingers, all mid-century seersucker and clandestine hanky-panky, rendered in stunning acrylics by Austin painter Ian Shults.

Jamie Panzer: Bullshit Detector

Co-Lab

Last Chance - February 18 through 25, 2012

The schematic for this ancient apparatus was unearthed one day when I was digging for loose coins in the dirt. I’ve reconstructed a prototype using modern materials as best I could. It’s monolithic pylons serve as support for the mechanism, forming a tetrahedron, which defines the purest geometric shape in the known universe. Through restistance and impedance, bullshit is attracted, absorbed and disintagrated.

Jennifer Harrison: Fresh Paintings

Yard Dog Gallery

Last Chance - February 4 through 26, 2012

Nova Scotia artist Jennifer Harrison attempts to abbreviate houses, garages and sheds to their simplest recognizable forms. With the people, cars and greenery removed, the buildings become a strange mix of cheerful hues and haunting vacancy.

Wide Open

Real Gallery

Last Chance - February 11 through 29, 2012

A juried show featuring works by artists Carol Hayman, Cheri Merrifield, Chrys Grummert, Elena Knapp, John Stekl, Leslie Kell, Linda Sheppard, Lori LeJeune, Lucian Richards, Martha Kull, NJ Weaver, Paul McGuire, Robert Schoolar, and  Sergio Rosas.

Joshua Saunders: Crip/Blood

Domy Books Austin

January 14 through March 1, 2012

Saunders foregrounds incendiary elements within the threadbare discourses of race, sex, gender, and violence. How does what started in Compton in ’69 amongst a definable, interrelated, if highly conflictive, group become currency for a heterogeneous zoo of characters—from rich white boys to barrio youth—who happen to drink from the same mass media watering holes?

Niklas Goldbach: HABITAT C3B

Arthouse at the Jones Center

January 14 through March 4, 2012

Niklas Goldbach’s video HABITAT C3B explores a nearly deserted urban environment populated only by a handful of identical men engaging in an unknown mission. The clone-like characters chase one man that breaks from the group. Filmed at the main site of Georges Pompidou’s failed gentrification in the 15th arrondissement of Paris, the video chronicles the implied protagonist’s journey through barren 1970s architecture.

Jill Magid: Failed States

Arthouse at the Jones Center

January 14 through March 4, 2012

In 2010, 24-year-old Fausto Cardenas fired six shots from a handgun into the air from the steps of the Texas State Capitol. Coincidentally, NY artist Jill Magid was present as a witness, and mines the coincidence for her performative exhibition, drawing connections between Fausto’s futile and tragic act and Goethe’s nineteenth-century epic poem, Faust. In conjunction with the show at Arthouse, Magid's armored family car will be parked near the Texas Capitol, and she will publish something in the February issue of the Texas Observer.

Evidence of Houdini’s Return

Arthouse at the Jones Center

January 14 through March 4, 2012

Provocative abstract forms that investigate art’s potential to interrupt and/or reconstruct elements of everyday life. Featuring Sterling Allen, Facundo Argañaraz, Strauss Bourque LaFrance, Katja Mater, Christopher Samuels, Justin Swinburne, and J. Parker Valentine

Justin Boyd: Dubforms

UT Visual Arts Center (VAC)

January 27 through March 10, 2012

San Antonio-based artist Justin Boyd's multidisciplinary response to the Arcade gallery's most striking element: a pair of floor-to-ceiling bay windows. Two separate site-derived, sculptural augmentations, and a sound piece.

Diana Al-Hadid

UT Visual Arts Center (VAC)

January 27 through March 10, 2012

NY Sculptor Al-Hadid constructs forms that are a baroque complex of architectural structures and figurative allusions, which appear to be in a state between construction and deconstruction.

Across the Divide

UT Visual Arts Center (VAC)

January 27 through March 10, 2012

25 contemporary Chinese artists who are currently working in academia across the United States, organized by the Crossman Gallery at The University of Wisconsin–Whitewater and presented in partnership with UT's Center for Asian American Studies.

(Im)possibilities

UT Visual Arts Center (VAC)

January 27 through March 10, 2012

Using probability theory, linguistics, mathematics, radar imaging, robotics, fortunetelling, and even a yo-yo, four New york artists and a Berliner  question the limits of knowledge. Featuring Erica Baum, Ellie Ga, Birgit Rathsmann, Patrick Resing, and Michael Stevenson and curated by C.C. Marsh.

New Prints 2011

UT Visual Arts Center (VAC)

January 27 through March 10, 2012

Sixty-seven prints by fifty-one artists, New Prints 2011 is the fortieth presentation of the International Print Center New York’s (IPCNY) New Prints Program. Sponsored by Printmaking Convergence, a program of the UT Department of Art in collaboration with IPCNY.

Elaine I-Ling Shen: Everything Is Possible Again

Blackbox

February 11 through March 10, 2012

Photographs and sculptures by Austin artist Elaine I-Ling Shen that explore the complex nature of childhood and human impulse at the inaugural exhibition at Blackbox, a new art space located in central Austin.

Larry Rand: Motion in Time

VSA Access Gallery

February 20 through March 16, 2012

Abstract oil paintings with videos of the objects in the paintings in motion. influenced by Mark Rothko, John Walker, Georgia O'Keeffe and Howard Hodgkin.

Barrio Scenes: Works by Roy Medrano

The Emma S. Barrientos Mexican American Cultural Center

January 20 through March 24, 2012

Born in 1950 and raised in East Austin, Medrano missed much of his education because he was a migrant worker.  He writes, "I started the series Barrio Scenes so that my grandchildren could see what East Austin used to look like . . . hopefully through my art people will remember the struggle our raza went through. I have a lot more to paint."

Miguel Andrade Valdez: Monumento Lima

Arthouse at the Jones Center

January 9 through March 25, 2012

Peruvian artist Miguel Andrade Valdez’s video Monumento Lima is a chaotic, rapid-fire visual compendium of the monuments that occupy Lima’s traffic circles and pedestrian malls. Will be Arthouse's new Screen Project, projected over Congress avenue.

Diego Huerta: 31K Portraits for Peace

Mexic-Arte Museum

January 27 through April 1, 2012

When Mexican photographer Diego Huerta started this project, more than 31,000 deaths had taken place in Mexico due to the ongoing drug wars, so he made it his mission to photograph 31,000 people, each holding a blue paper dove. This project will be Mexic-Arte Museum's contribution to a collaborative promotional effort with Ballet Austin known as the Light/The Holocaust and Humanity Project.

Tom Molloy: New World

Lora Reynolds Gallery

February 11 through April 14, 2012

Nine different LP sleeves from recordings of Dvořák's New World Symphony whose text has been painted to blend in with the cover image. As with much of the Irish artist's work, the gesture of New World is clear but its implications remain enigmatic.

Pun Value: 4 Works by Lee Lozano

Blanton Museum of Art

December 3, 2011 through April 22, 2012

A case study of works by sensationalized, transgressive, feminist  artist Lee Lozano from The Blanton collection, curated by Katie Geha examines the artist’s process and influence on the art world of the 1960s.

Recents Posts

Armando Miguélez, Estudio Artes Mientras me Caso (I will study art until I get married), Printed on a sticker

Mientras me caso…

There are few times that I complain about living in Mexico.  There are even fewer things that bother me about living here.  Generally, I love everything about the country and the city.  However, at times living in Mexico is like confronting gender roles as they were in the 1960s.  Here it is normal to live [...]

Wonderful Thing: Indian Fly Whisk

Wonderful Thing: Indian Fly Whisk

This Mughal Dynasty (mid-18th c.) fly whisk is on view in the MFAH’s Indian art galleries. It’s an outstanding object which alone merits a visit to the museum. The MFAH purchased it in 2009, at the time of the opening of the Indian art gallery. The handle is a remarkable example of ivory carving, but [...]

Tlatelolco: A history of a city

Tlatelolco: A history of a city

I had the incredible privilege of visiting the community of Tlatelolco last week.  Tlatelolco is one of the places in the city that has long been avoided, was falling apart, and known more for its infamous, sordid history rather than its current potential. Tlatelolco literally sits a few miles north west of the original site [...]

Max Marshall & Andrea Nguyen "Center of Mass" (2012)

Happened, Happening, About to Happen

Disambiguation/Red Space Gallery/Closes February 12th   Happened There are a lot of great images in Disambiguation, an exhibition currently on display at Red Space Gallery in Austin (the show closes on Feb. 12th). Max Marshall and Andrea Nguyen collaborated to create a suite of photos inspired by images that illustrate scientific processes and that the [...]