Houston artist Emily Sloan tells videographer John Carrithers about the uncertainties and rewards of her participatory performances.
“It’s a good practice in not having expectations. Often I don’t know how something’s going to be or turn out, because there is that human element . . . It’s like setting up a framework, with me not necessarily controlling how it’s worked within.”
also by Glasstire
- Trump Plans to (quickly) Kill the National Endowment for the Arts (and of course most other cultural programs) - January 19th, 2017
- Top Five: January 19, 2017 - January 19th, 2017
- A Whopper of an Artwork for Your Inauguration Day - January 18th, 2017
- FotoFest Announces 2018 Biennial Theme & More - January 16th, 2017
- Section of Berlin Wall at Rice University Defaced with Pro-Trump Graffiti - January 15th, 2017