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#10 Finesilver Gallery

Finesilver, first of San Antonio and lastly of Houston, was one of those galleries that could be counted on for adventurous work and, seemingly, good sales. Despite red dots, a charismatic director and a good cadre of artists, assistants and installers, the gallery closed early this fall- without fanfare.


#9 Robert Chaney

An oilman who made a big impression as an art guru in the past few years, Robert Chaney brought Chinese art and YBAs to his family’s coffers and the MFAH’s collections. Before his suicide in his Hummer after the economic collapse Chaney’s YBA wonderworld "End Game" dazzled (I don’t use that word lightly, but sooo many people, artworld and outside, were talking about it) visitors with exemplary sculpture. RIP hustler, you will be missed.


#8 The Museum of the Weird

Dolan Smith will keep doing stuff. This is not the end. The man who once married Laura Lark and Paul Horn has an insatiable appetite for the weird. I heard that by 4 pm on the last day of the Museum the place was scrubbed clean. For all of y’all who scooped up the good stuff early, I salute you. In bars and homes and other weird museums the legacy of the Museum of the Weird will survive. And to Curtis, who stuffed all he could into that circle for five bucks and rode his bike home with all that crap, I hope you have fun with your meat grinder. 


#7 NEA Credibility

Tony Chauveaux, former Texas Arts Commission Chairman and Deputy Director of the Ronald Reagan Presidential Library, will be appointed as the Chairman of the NEA in 2009, finally bringing watercolor bluebonnets to the national stage. This lawyer from Beaumont will totally screw shit up, I tell ya. 


#6 Non-profits’ Private Donor Base

Is it shrinkage? Is it the low price of oil? Either way everyone with a 501-C3 had better watch out in this new environment after the economic collapse. Got an extra grand to get rid of? Give it to an arts org- I’m tellin’ ya, they need it.


#5 Helen Altman’s Exhibit at Galveston Art Center

A Critic’s Pick on Artforum.com and deserving of Texas praise, the unfortunate end of Helen Altman’s sculptures came at the hands of Hurricane Ike. A ten-year retrospective, 15-foot long quilts, drawings on paper, plastic goldfish in bowls; $98,000 of artwork down the drain, along with the entire gallery. Maybe this #5 should lament the loss of the GAC, but like the city itself, they will survive.


#4 Stable Endowments

Besides the whole "Madoff-with-my-money" thing, any and every endowment in the country was decimated by the economic collapse of the financial market in 2008. Many were lured into investing in mortgage securities, convoluted hedge funds or real estate. Others were just in the bond or stock markets, and lost the "par for the course" 20-30% that everyone else had to eat. One way or another, universities, charities, museums, non-profits, public funds and municipalities were hosed in the fall of 2008, and everything from art to healthcare will suffer greatly.


#3 My Job at Glasstire

Yup, I’m canned y’all. Going on the long walk with a box of cubicle trinkets in a cardboard box. Leaving the factory with my hat in my hand. Swearing up and down that you can take this job and shove it, Rainey. Maybe I’ll start a blog in spanish. Fuck you guys.



#2 Robert Rauschenberg

The patron saint of Texas art will be deified in his absence. Despite the influence of Black Mountain College, New York City and Captiva, Florida, no one should dispute the inherent Texanity (that’s not a word) of Rauschenberg. Tactile materiality, outsider art sensibility, almost religious dedication to unilateral vision, Rauschenberg was the post we could all hang our hats on. Despite the fact that the tree has now lost its leaves, nothing will stop Rauschenberg worship in Texas. As Martha says, it’s a good thing. 


#1 Tom Jones

Former curator of the Art Car Museum, Tom Jones was a dedicated photographer and art car welder. When a young, drunk driver jumped the tracks on Heights Boulevard and careened into a parked car in front of the museum, three people were sitting on the curb. Two friends of Jones’ jumped up and escaped, but Tom Jones did not. He had been hit by a car years ago, and his hip was not what it used to be.


The outpouring of love for Tom Jones was not unwarranted. He was truly one of the friendliest people I had ever met. Speaking like a Electric Kool-Aid Acid Test character, looking like a San Francisco bookstore owner, loving like a Texas farmer and building like a mad professor, Jones personified the entire Art Car community. He offered me help with projects without knowing me in the least. He partied with the best of them- jovial, quick-witted and sharp. Tom Jones was LITERALLY what we should aspire to be; a selfless human being in the throes of rapture with life, and still dedicated to craft. Leave flowers under the tree in front of the Art Car Museum on Heights if you know what I mean.


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7 Responses

  1. theremin

    Acting like a foolish clown, indeed. Is the F O message really necessary? Grace is important,. If some shit talker was just claiming you were an ass, it would be one thing. You proved you were one without her saying a thing.

  2. rainbird

    All this reminded me of my graduation a long, long time ago…from a university in the early eighties (I had to look at my resume to actually remember the date)… I had a rubber stamp made that said, ” Fuck you all, I’m gone.” and I left a stamped note in all my professors’ boxes. I was a printmaking minor, and it made sense to me. I was well liked and no one really cared. And I haven’t been back . I think they just couldn’t believe that I thought I was an artist and wouldn’t end up a teacher or a housewife or whatever. Grace is important. And sometimes it isn’t. Lately, you and others just sound like snobs. Very smart snobs.

  3. theremin

    I think putting a pic of some Renaissance Fair dildo grabbing someone’s tit with the caption, “Fuck you, Rainey” isn’t funny… it’s just wrong. If that makes me a snob, I’ve been called one before for good reason. One thing I like about both of them (bs and Rainey) is they actually have an opinion. There’s a saying, Opinions are like assholes… everyone has them, and they usually stink. Nowadays, no one has an opinion, and they’re all full of shit. When you start missing the asshole, you become full of shit. bs and Rainey are generally not full of shit. That much I’ll give them, hope you’ll do the same for me.

  4. lcastle

    #7 NEA Credibility
    Tony Chauveaux, former Texas Arts Commission Chairman and Deputy Director of the Ronald Reagan Presidential Library, will be appointed as the Chairman of the NEA in 2009, finally bringing watercolor bluebonnets to the national stage. This lawyer from Beaumont will totally screw shit up, I tell ya.

    This is in response to the comment about Tony Chauveaux and NEA credibility. Tony Chauveaux has a respectable collection of artwork by living contemporary Texas artists. He doesn’t own any bluebonnet paintings. Over the years, the Art Museum of Southeast Texas has been fortunate enough to borrow works from his collection for exhibitions and I have become quite familiar with his collection. He does own work by Jesus Moroles, James Surls, John Alexander, Robert Jessup, Lauren Levy and of course photographs by Beaumont artist Keith Carter to name just a few. In response to the comment about the NEA, as deputy director for grants and services for the National Endowment for the Arts from October 2003 – December 2008, Tony was instrumental in channeling hundreds of thousands of dollars into Texas art organizations and either directly or indirectly into the hands of artists. As far as being appointed by President Obama to become the Chairman of the NEA? It would be a dream come true for Texas arts but unfortunately I find that about as likely as Tony Chauveaux going out and buying a bluebonnet painting.
    Lynn P. Castle
    Executive Director
    Art Museum of Southeast Texas

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