We can’t fault galleries for doing what they have to to stay in business any more than we can fault artists for creating sellable work. We can, however, reexamine our expectations about the art we come across.
jeremy deprez
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Christina Rees and Brandon Zech on cross-pollinating art collectives, the Lizard Cult, and art you can buy for Christmas.
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Texas Gallery has had a great string of painting shows recently, the latest treat is a roomful of Christmas puddings from nascent art star Jeremy DePrez.
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That Houston's painterly pride rests on the shoulders of a basketball team of artists is cause for both fear and celebration.
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Houstonian subversion trio—Mark Flood, Lane Hagood, and Jeremy DePrez—look smart on these mismatched walls, which still bear traces of an auto-body shop.
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Some weeks, in the sun-beat end of the Texas summer, you can count really good shows on one hand, with some fingers left over to scratch. But this week, the drought is over.
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Suddenly the show rushes into focus. Of course the tiled painting is a detail of the floor of his bathroom (it looks just like the floor of my bathroom!).
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Both artists are consciously flippant in their grandiosity—despite an interest in simulacra, photorealism, and op-art, the crux of Elrod's work is its archaic presentation as grand painting.
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Cody and his puppet pal Brandon visit with Jeremy DePrez, Geoff Hippenstiel and Jonathan Ryan Storm.
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Eileen Maxson talks to Jeremy DePrez about his work.