The Dallas Museum of Art decided last week that a painting given to the museum in 1931 as painter Asher B. Durand’s “In The Woods” is actually a much nicer…
DMA
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Noting the flap over the departure of the artist-members of LA MOCA’s board of directors, D Magazine‘s Peter Simek asks if the Dallas museums ought to consider getting some. Simek…
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The star-studded Two x Two For Aids and Art benefit, held at the Rachofsky House in Dallas raised a record-breaking $4.8 million for amfAR, The Foundation for AIDS Research, and…
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The Dallas Morning News recently ran an unprecedented, front-page dissection of the Dallas Museum of Art’s financial woes by Michael Granberry. The piece, printed on Aug 10, gives a detailed…
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Officially the first day of summer is not until June 21st, but according to my thermostat and our electric bill it’s already too hot. Similar but Different #18: Cold as…
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Dallas Art News’ Michael Roman snatched 15-20 minutes to interview outgoing DMA director Bonnie Pitman on her successes, failures and the future of the museum in the 21st century. Relentlessly …
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The Dallas Museum of Art has won an Association of Art Museum Curators Award for Excellence in the category of “Outstanding Small Exhibition” for The Mourners: Medieval Tomb Sculptures from…
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Curator Jeffrey Grove selected Fergus Feehily and Matt Connors for Concentrations 54 (both enjoy their first museum exhibition here at the DMA) because of the quiet little trail the two…
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The Dallas Museum of Art announced today that its director Bonnie Pitman is to step down next month due to health reasons. Olivier Meslay, the DMA’s Senior Curator of European…
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The Dallas Museum of Art has just been given Matthew Barney’s sculpture The Cloud Club (which “relates to” the artist’s film Cremaster 3, and which involves a sawed-in-half piano resting…