Review

Doug Welsh reviews artist Alexis Pye's solo exhibition at Lawndale Art Center.

William Sarradet writes about recent exhibitions at Seventh Space in Dallas, SP/N Gallery in Richardson, Co-Opt Research and Projects in Lubbock, and the Art Museum of South Texas in Corpus Christi.

Caroline Frost on the history and tenacity of Red and White Gallery, which is located between Houston and Austin in Fayetteville, Texas.

Rosa Boshier González habla de la reciente exposición de la Contemporary Arts Museum Houston titulada "Troy Montes Michie: Rock of Eye".

Jacky Cortiaus writes about artist Adela Andea’s new light works, on view at Anya Tish Gallery in Houston.

Henry G. Sanchez writes about the bioart of Louisiana artist Brandon Ballengée, which is currently on view at Redbud Gallery in Houston.

Colette Copeland reviews Gabrielle Goliath's video work, which addresses gender-based violence in South Africa.

Bryan Rindfuss on his favorite artworks and installations in the 2023 Salon Acme Art Fair in Mexico City.

Lynne Maphies on an exhibition featuring work by artists Maryssa Rose Chavez and Jose Pablo Lucero.

Jessica Fuentes reviews “Criss Cross Applesauce,” an exhibition of works by TCU’s second year MFA candidates Max Marshall and Lauren Walker.

Bryan Rindfuss on his five favorite works at the 2023 Material Art Fair in Mexico City.

Bryan Rindfuss counts down eight of his favorite booths at the 2023 Zona Maco Art Fair in Mexico City.

Barbara Purcell reviews the group exhibition "Going Down," on view through February 18 at Northern-Southern in Austin.

Gabriel Martinez writes about Moe Penders' work, which deals with migration, queerness, and translation.

Rosa Boshier González reviews Project Row Houses' survey of artists from the South, guest curated Valerie Cassel Oliver.

William Sarradet writes about recent exhibitions at Ro2 Art and 4DWN in Dallas, and the International Museum of Art & Science in McAllen.

Elissa Yukiko Weichbrodt writes about artist Carlie Trosclair's haunting installation of a home at Project Row Houses.

Bucky Miller reviews Ursula Schulz-Dornburg's book "Huts, Temples, Castles," which documents a diminutive utopia of junk constructed by a group of Amsterdam youths.

Graham Bell reviews David Alekhuogie's exhibition of photographs in Houston.

Colette Copeland reviews San Antonio exhibitions at Fl!ght Gallery, Presa House Gallery, and Artpace, and previews an upcoming show at Sala Diaz.