DISCLAIMER: Not a review. Not the Truth. Not a word of it. There is an exhibition of videos at DiverseWorks , entitled something like “Now that I am by myself,”…
Essay
-
-
Say what you will about it, but let me tell you: I freaking love Twitter. Never before has social media allowed for such easy stalking following of so many people…
-
Joe Fig interviews 24 contemporary artists (from the usual to the young) and askes them each the same questions. From "what kinds of paints do you use and special devices"…
-
Oh, public art. You know it, you love it. Well, that’s probably not true…you probably hate it sometimes. I’ve been thinking about the topic a lot as I prepare to…
-
Many artists today rely on their computers as part of their studio practice. Whether this be Photoshop, video-editing or some other practice, there is a heavy reliance (and trust) of…
-
DISCLAIMER: This has been carefully edited by Sean. This weekend I went to the Kathy Womack Gallery, located in the River Oaks Shopping Center. There is a Kathy Womack Gallery…
-
Hiya, Reader. Here’s how I imagine you— you are sitting in a comfortable spot in the sweet cool of your centrally air-conditioned home, drinking a mint julep Lone Star and…
-
While I like to think that popular opinion has never really held sway over my generally rabble-rousing sense of perspective, what functions as my peanut gallery – a group of…
-
DISCLAIMER!!!: This is not a review, and in fact I did not know I wrote it. In 1993, shortly after Rick Lowe and some other people, who nobody seems to…
-
My legion of die-hard readers – hey now, save your snickering and allow a vociferous blogger at least one fantasy, all right? – may very well remember my premiere red…
-
Every Semester, Meadows School of the Arts hosts a series of talks by artists which are free to attend. These world class visitors are organized by Noah Simblist, who works…
-
Fifteen days ago I saw two beautiful exhibitions at Devin Borden/Hiram Butler Gallery: School’s Out, with photographs by Dallas-base photographer Allison V. Smith , and New Works on Paper. featuring…
-
I suppose Elaine Wolff should be forgiven for proclaiming in a recent review that Daniel Saldaña’s scultpures are "post-contemporary in another key way: They’re unmistakably narrative." And also for pitting…
-
DISCLAIMER: You know the drill, blah, blah, blah, blah, blah. Last week I went to the Station Museum of Contemporary Art where I met the clumsiest man alive, Carlos Runcie-Tanaka. …
-
Tonight was the opening of the Arthouse charity auction at Dunn and Brown Gallery . The walls were peppered with hundreds of tiny 5×7 artworks, all lined up in three…
-
When I finished my undergraduate degree in art, I was flying high with excitement. After Graduate school, I was torn apart, dejected … but still highly motivated. There has been…
-
I started painting late in the game — it was my fifth and last year at the University of Houston and I already had a job at the new Penzoil…
-
As I was driving to The Umlauf Sculpture Garden and Museum yesterday in my 1997 Subaru (restored, for all intents and purposes, faithfully and lovingly by mis amigos at Go…
-
I studied film at Northwestern University in the early ‘90s, and my first screenwriting teacher was a semi-embittersweetened morsel of a countercultural retiree who encouraged all of us to create…
-
DISCLAIMER! This is not a review, this is one part truth, two parts lie. I live in the Heights. Redbud, G Gallery and Nauhaus Gallery are within walking distance, or…