Feature

Michelle Kraft profiles the artist and gallerist Janelle Barrington Spivey, who won Lubbock's 2024 YWCA Woman of Excellence award for her work in the city.

Garland Fielder reviews a recent piece in Houston that coupled concerns about renewable energy resources and performative art.

CAM Critical Writing Fellow Seyde Garcia writes about Recess, the CAM breakout performance series at Ruby City

William Sarradet writes about exhibitions at the New Orleans Museum of Art, the Ogden Museum of Southern Art, and the Contemporary Art Center New Orleans.

This week: a solo show of meticulous architectural sculptures in Houston, an exhibition of over 100 woodblock prints and painted scrolls in Austin, a show featuring punk and New Wave ephemera from two private collections in Dallas, and more.

Jessica Fuentes speaks with Richard Henry (Hank) Lee about his long-standing gallery in San Antonio, San Angel Folk Art Gallery.

Brandon Zech asks a pertinent question.

Colette Copeland interviews artist Jennifer Battaglia about her solo exhibition at Front Gallery in Houston.

Ruben Cordova reviews the exhibition “Upward Mobility” by Einar and Jamex de la Torre, on view at the McNay Art Museum in San Antonio.

Brandon Zech and Gabriel Martinez talk about the changing state of Houston's art scene and what the future may bring.

Anna De Filippi reviews the exhibition "A Horseshoe Over a Door," featuring Skylar Haskard and Devin T. Mays, on view at F in Houston.

This week: an exhibition exploring the shifts and changes in the medium of photography across time in Corpus Christi, an annual group show featuring Houston-based and local artists in San Antonio, a new video installation by an internationally renowned duo in Austin, and more.

Lauren Elizabeth Shults reviews an exhibition of disparate but similar portraits that take on the Jungian idea of synchronicity.

CAM Critical Writing Fellow Seyde Garcia interviews artist, curator, and writer Christopher Blay about the exhibition "Vernacular Systems," on view at the Contemporary at Blue Star as part of the San Antonio's Contemporary Art Month programming.

Michelle Kraft reviews a show of ceramic works by seven Indigenous artists, on view at the Louise Hopkins Underwood Center for the Arts in Lubbock.

Hannah Dean gets into the nuts and bolts (and zip ties and bungee cords) of consumerism in her review of "Mama's Boy or an Inexplicable Reasoning."

William Sarradet writes about recent exhibitions on view in Dallas, at Conduit Gallery, Keijsers Koning, the Oak Cliff Cultural Center, and Talley Dunn Gallery.

Megan Wilson Krznarich writes about an immersive installation by Bianca Bondi, on view at Dallas Contemporary.

David Leslie, Executive Director of the Rothko Chapel, discusses the similarities between the work of Mark Rothko and Texas artist Vernon Fisher.

This week: a show in Houston that queers the imagery of Gothic cathedrals, a performative installation in Fort Worth, an exhibition in Lufkin exploring the concept of photographic technology, and more.