Natalie Hegert reviews three exhibitions in Lubbock that highlight and exalt the invisible labor done by woman artists.
Review
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Review
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Michael Flanagan writes about Mark Flood's exhibition at Reeves Art + Design in Houston.
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Review
From Ghana to South Texas: “Japheth Asiedu-Kwarteng: Ginger is Carrot” at Texas A&M University-Kingsville
by Liz Kimby Liz KimLiz Kim writes about the work of Texas-based, Ghanaian-American artist Japheth Asiedu-Kwarteng.
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Review
Review: Gina Gwen Palacios’ “Vale La Pena/It’s Worth It” at the Branigan Cultural Center, Las Cruces
by Hannah Deanby Hannah DeanHannah Dean on an exhibition that uses family history and archives to address issues of othering, belonging, narrative, and place.
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Review
Review: “Mara Held and Julia Kunin: Kaleidoscope Eyes” at McClain Gallery
by Doug Welshby Doug WelshDoug Welsh reviews an exhibition of hypnotizing ceramic sculptures and paintings in Houston.
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Emma Ahmad reviews the exhibition "Stack and Smoosh," curated by Benjamin Terry and featuring work by Claire Kennedy, Niva Parajuli, and Megan Reed.
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Barbara Purcell reviews a collaborative exhibition between artist and musician Daniel Johnston and his sister, Marjory, at Lydia Street Gallery in Austin.
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Review
A Line’s Wisdom: Pleasure and Preparation in Robert Motherwell’s “As Fast as the Mind Itself”
Rosa Boshier González reviews the Menil Drawing Institute's exhibition featuring four decades of work by Robert Motherwell.
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Valentin Diaconov reviews a two person exhibition by Antonia Kuo and Mariah Robertson at F in Houston.
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Jessica Fuentes reviews "Soy de Tejas: A Statewide Survey of Latinx Art," a show curated by Rigoberto Luna and on view at Centro de Artes in San Antonio.
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Review
Review: Like No One Else: Alexis Pye at Lawndale Art Center, Houston
by Doug Welshby Doug WelshDoug Welsh reviews artist Alexis Pye's solo exhibition at Lawndale Art Center.
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William Sarradet writes about recent exhibitions at Seventh Space in Dallas, SP/N Gallery in Richardson, Co-Opt Research and Projects in Lubbock, and the Art Museum of South Texas in Corpus Christi.
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Caroline Frost on the history and tenacity of Red and White Gallery, which is located between Houston and Austin in Fayetteville, Texas.
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Rosa Boshier González habla de la reciente exposición de la Contemporary Arts Museum Houston titulada "Troy Montes Michie: Rock of Eye".
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Jacky Cortiaus writes about artist Adela Andea’s new light works, on view at Anya Tish Gallery in Houston.
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Henry G. Sanchez writes about the bioart of Louisiana artist Brandon Ballengée, which is currently on view at Redbud Gallery in Houston.
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Colette Copeland reviews Gabrielle Goliath's video work, which addresses gender-based violence in South Africa.
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Bryan Rindfuss on his favorite artworks and installations in the 2023 Salon Acme Art Fair in Mexico City.
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Lynne Maphies on an exhibition featuring work by artists Maryssa Rose Chavez and Jose Pablo Lucero.
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Jessica Fuentes reviews “Criss Cross Applesauce,” an exhibition of works by TCU’s second year MFA candidates Max Marshall and Lauren Walker.