Review

Barbara Purcell reseña la exposición individual de Consuelo Jimenez Underwood en Ruiz-Healy Art en San Antonio.

Em Goff reviews an exhibition by artist Diane Severin Nguyen, on view at the Contemporary Arts Museum Houston.

Callie Storie reviews the exhibition "A Banquet For Seaweed: Snapshots from the Arab 1980s," on view at the CVAD Art Gallery at the University of North Texas.

Emma S. Ahmad reviews an exhibition at the Irving Arts Center that responds to the recent protests for women's right in Iran.

Ruben C. Cordova writes about the life and career of longtime Texas artist Octavio Medellin.

Rosa Boshier González reviews "Troy Montes Michie: Rock of Eye," currently on view at the Contemporary Arts Museum Houston.

Jessica Fuentes reviews a Dallas exhibition featuring light-based installations and works rooted in kineticism.

Christine Gwillim on how museums can incorporate theater and performance to break down barriers and challenge visitors.

William Sarradet writes about recent exhibitions at Conduit Gallery, SWIM CLUB 수영 클럽, The Nasher Sculpture Center, and PRP in Dallas.

Bucky Miller reviews four photography books published in 2021 and 2022, including a tome on Diane Arbus, a curious book by Michael Yuan, and others.

Megan Wilson Krznarich on the veiled social critique in the work of artist Bernardo Vallarino.

Benjamin Ogrodnik traces the decidedly queer sensibilities in the exhibition "Warhol, Johns, Stella: Revisited" at the Art Museum of South Texas.

Bucky Miller reviews Michael Lundgren’s photobook "Geomancy," published in 2019 by Stanley/Barker Books.

Barbara Purcell on the community-centered practice of artist Margarita Cabrera, whose work is currently on view in a solo show at the McNay Art Museum in San Antonio.

Jessica Fuentes, William Sarradet, and Brandon Zech count down some of their favorite art books of the year. 

Liz Kim writes about a group exhibition featuring artists from Gwangju, South Korea, and about a show by San Antonio artist Luis Valderas.

Hannah Dean reviews the site-specific and immersive installation "illuminated," by Isadora Stowe at the El Paso Museum of Art.

Graham Bell reviews a wry and deliberate exhibition of work by Houston-based artist Iva Kinnaird.

Megan Wilson Krznarich reviews an exhibition of prescient paintings by Spanish artist Bartolomé Esteban Murillo.

Jacky Cortiaus reviews the exhibition "Contemporary Texas Women Artists," on view at the Art Museum of Southeast Texas in Beaumont.