Artpace, an artist residency program in San Antonio, in partnership with the Atlanta University Center Art History + Curatorial Studies Collective, has named Ming Joi Washington as its 2024 Curator-in-Residence.

This week: a solo show featuring a Brooklyn-based street artist in Amarillo, an exhibition of intricately crafted paper works in Houston, monotypes and etchings exploring the dimensional and the flat in Austin, and more.

Corvas Brinkerhoff, one of the co-founders of the arts and entertainment company Meow Wolf, has announced that he is leaving the organization and launching a spa that combines immersive art and neuroscience in Austin.

Ruben Cordova reviews the exhibition "The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum" currently on view at the San Antonio Museum of Art.

The Arkansas Museum of Fine Arts has announced the 39 selected and seven invited artists who will participate in its “2024 Delta Triennial,” including seven artists from Texas.

Jessica Fuentes reviews “Surrealism and Us: Caribbean and African Diasporic Artists since 1940” at the Modern Art Museum of Fort Worth.

Melissa L. Mednicov reviews the work of abstract expressionist pioneer Janet Sobel, whose contributions to art history are being reevaluated.

The College of Arts and Media at Sam Houston State University has named artist David Adickes and arts supporters Paul and Joan Culp as the recipients of its 2023-24 Legacy Award.

Leslie Moody Castro and Jessica Fuentes discuss new art organizations, the appeal of non-urban spaces, and the many changes occurring at institutions across the state.

Luminaria, the San Antonio-based nonprofit behind the annual Luminaria Contemporary Arts Festival, has announced the spring 2024 recipients of its Working Arts Fund microgrant.

Colette Copeland writes about performances by contemporary Indian artists that address concepts of home, labor, and class.

Project Row Houses has announced the promotion of Danielle Burns Wilson to the position of Executive Director.

The Houston Parks Board and the Orange Show Center for Visionary Art have announced that the city’s third annual Art Bike Festival will take place on Saturday, May 11, 2024.

Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.

This week: an exhibition of collage works exploring Black identity in Houston, a solo show of textile works in Dallas, a group exhibition featuring artists using found objects in Austin, and more.

Big Medium’s co-founder and Executive Director, Shea Little, will step down from his role at the organization.

An obituary for Claude van Lingen, an Austin-based artist and educator, who died on March 30 at the age of 93.

Ryan Cantu writes about recent changes at the Laredo Center for the Arts and looks at how the space is supporting the city's creative community.

The Core Residency Program at the Museum of Fine Arts, Houston is currently hiring new leadership and has paused applications for the 2024-25 term.

Valentin Diaconov reviews "Hayv Kahraman: The Foreign in Us," on view at the Moody Center for the Arts at Rice University in Houston.