Local visual and performing artists and arts professionals advocated for arts funding during a Laredo City Council meeting.

Max Tolleson reviews an exhibition of inventive works by Cody Ledvina at Pablo Cardoza Gallery that balance humor, absurdity, and creativity.

Lauren Moya Ford reviews an exhibition that confronts pressing issues around women’s bodies, sexuality, and motherhood.

The Houston Arts Alliance has announced the departure of its CEO John Abodeely, who has been with the organization since 2017.

Artpace San Antonio has named Regine Basha as the Guest Curator for its Fall 2025 International Artist-in-Residence program.

Peter S. Briggs reviews a show of photographs, videos, and sculptures that critiques the architectural strategies of detention along the border.

Neil Fauerso reviews two intellectually provocative exhibitions by Lauren Kelley and Kathleen McShane at [TXST] Galleries.

The Dorothy Antoinette LaSelle Foundation has awarded its inaugural travel fellowship to Colleen Blackard and Cat Rigdon.

Houston-born, internationally renowned conceptual artist Mel Chin will speak as part of Rice University’s Campbell Lecture Series on November 12 and 13.

William Sarradet writes about two exhibition in Dallas at Sweet Pass Sculpture Park and the Nasher Sculpture Center.

Madison Ford revisa una exposición de imágenes que presentan el lado íntimo de Frida Kahlo.

This week: a retrospective of works by an award-winning artist, curator, and activist in Houston; an otherworldly meditative large-scale installation in Austin; a solo show featuring vibrant abstract landscapes in Dallas; and more.

Dallas-based art collectors and philanthropists Howard E. Rachofsky and Thomas Hartland-Mackie have announced the formation of The Warehouse Dallas Art Foundation.

Sarah M Vasquez traces the journey of a sculpture that was commissioned by the Friends of Ruidosa Church as it makes its way to a permanent home.

The Houston Center for Photography has announced its plans to move from its West Alabama Street location in 2026.

Peter Lucas writes about a newly restored film classic that is screening at the DeLuxe Theater as part of the Houston Cinema Arts Festival.

The Dallas Museum of Art has announced the upcoming departure of Dr. Agustín Arteaga, who has served as the Eugene McDermott Director since 2016.

Philip Kelleher writes about an exhibition of Pueblo pottery at the MFAH curated collectively by members of 21 tribal communities.

Lauren Moya Ford reviews a show of photographs at the UT Visual Arts Center that Violette Bule created in conjunction with incarcerated Venezuelans.

The Art Colony Association Inc. has announced an open call for artists to apply to showcase their work at the Bayou City Art Festival.