Review

Garland Fielder reviews a show of work that uses urban infrastructure to address charged sites of public interaction.

Jessica Fuentes writes about “Diaries of Home,” a photography and lens-based exhibition exploring family life and the idea of home, at the Modern Art Museum of Fort Worth.

Ruhee Maknojia reviews a Do Ho Suh exhibition at The Moody Center for the Arts that captures the psychological dimensions of home.

Jon Revett reviews an exhibition of Jay Shinn's geometric abstractions at the Old Jail Art Center in Albany.

Colette Copeland reviews an exhibition that transforms The Modern Art Museum of Fort Worth into an immersive, multilayered installation.

Jessica Fuentes writes about Cameron Rowland’s “Properties,” an exhibition at Dia Beacon that calls into question ideas related to land and value.

Lauren Moya Ford revisa una muestra de fotografías expuesta en el Visual Arts Center de la Universidad de Texas creada por Violette Bule en conjunto con venezolanos en prisión.

Megan Wilson Krznarich reviews a group exhibition at Fort Works Art that captures spirit of the political moment.

William Sarradet writes about the architecture, culture, and exhibitions of El Paso.

Mari Carmen Barrios Giordano writes about the meticulous work of Gustavo Díaz on view at Sicardi Ayers Bacino and the Menil Drawing Institute.

Laura Neal reviews an exhibition of diverse sculptural styles that offer a poetic meditation on time.

Kaila T. Schedeen reviews an exhibition of photography and video by Indigenous artists at The Blanton Museum of Art.

Ian Etter reviews an exhibition of small paintings that explore concepts of solitude, loss, and introspection.

Jessica Fuentes writes about “Before Yesterday We Could Fly: An Afrofuturist Period Room” on view at the Metropolitan Museum of Art in New York.

Philip Kelleher writes about a show of intricately constructed photographic collages that stretch a split-second of action into a meditation on mob mentality and the rejection of the new.

Lauren Jones reviews an exhibition of religious objects from around the world organized by guest curator and author Neil MacGregor.

Caroline Frost reviews an exhibition in Marfa of artworks by Cody Barber that blend action, form, and color.

Gabriel Martinez talks with Benito Huerta about the evolution of his artwork and his decades-long commitment to culture in the state of Texas.

Doug Welsh reviews an exhibition of paintings that explore deliberate and incidental mark-making at Jonathan Hopson Gallery.

Matthew Bourbon reviews two recent exhibitions in Dallas, focusing on a single piece from each show.