Review

En el marco del 50.º aniversario de esta obra de tierra, Jon Revett escribe sobre “Amarillo Ramp” de Robert Smithson, el impacto de este artista en el arte de tierra y sus muchos proyectos sin realizar en Texas.

Leslie Thompson reviews an exhibition at the Nasher Sculpture Center that rounds out the canon of land art.

Gustavo Carvajal writes about the exhibition "Japan, Form and Function: The Montgomery Collection," on view at the Crow Museum of Asian Art in Dallas.

Emma Ahmad reviews the exhibition "Kathy Lovas: Indexicality, the Archive, and the Frame: A Retrospective Installation," on view at Liliana Bloch Gallery in Dallas.

Rainey Knudson writes about the work of Houston artist David McGee, whose exhibition at Inman Gallery is on view through November 1.

William Sarradet writes about recent exhibitions and a performance at the Museum of Fine Arts, Houston, the Silos at Sawyer Yards, and Dallas Contemporary.

Bucky Miller reviews three photo books that show, use, and play with the tricky medium of photography.

Xan Murphy reviews Alexandria Canchola's exhibition "Yours to Keep," on view at Presa House Gallery in San Antonio.

Michelle Kraft reviews a solo exhibition of clay sculptures by artist Misty Gamble, on view at the Louise Hopkins Underwood Center for the Arts in Lubbock.

William Sarradet writes about recent exhibitions in Dallas and Houston at Ro2 Art Projects, FotoFest, Basket Books & Art, and Sicardi | Ayers | Bacino.

Barbara Purcell reviews the group exhibition "Parsley Space Rosemary Time," on view at the Texas State Galleries in San Marcos.

Valentin Diaconov writes about a show of videos by New York-based artist Jordan Strafer, on view at Contemporary Arts Museum Houston.

Caroline Frost reviews Northern-Southern's exhibition "The Source," featuring work by artists Lauren Moya Ford and Evan Horn.

Charissa Terranova reviews the exhibition “Denton Modernism: 1940-1980” at Photographs Do Not Bend Gallery in Dallas.

Elena Rodz reviews the exhibition "En El Frente," a show of Chicano independent publications from the 1960s and 70s, on view at Weil Gallery at the Center for the Arts, Texas A&M University–Corpus Christi.

William Sarradet writes about four feature-length documentaries screened at the 2023 iteration of the Flatland Film Festival in Lubbock.

Emily Lee reviews a solo exhibition by artist Ariel Wood, on view at grayDUCK Gallery in Austin.

Xan Murphy reviews an exhibition by artist, writer, and translator JD Pluecker, on view at Texas State Galleries in San Marcos.

Valentin Diaconov reseña tres exposiciones de la artista Ming Smith en exhibición en el Contemporary Arts Museum Houston, Art is Bond y la Barbara Davis Gallery.

Michelle Kraft writes about Alice Leese, who over the past few years has participated in artist residency programs with the National Parks Arts Foundation.