Review

Christopher Karr reviews "Delita Martin: Her Temple of Everyday Familiars, A Retrospective," an exhibition of portraits by the artist that capture the spirit of Black womanhood.

Lauren Moya Ford reviews Chloe Chiasson's solo exhibition at Dallas Contemporary, which shows scenes from a Texas town that is also a queer refuge.

Jessica Fuentes writes about works by Nortejiendo, Haydee Alonso, and Veronica Ibargüengoitia, on view in the “2024 Border Biennial / Bienal Fronteriza 2024” in El Paso and Ciudad Juárez.

Susan Chadwick reviews "Leave the Kitchen Light On," a house-wide installation by artist Únies González on view at Stinson House in Houston.

Max Tolleson reviews an exhibition featuring paintings by Yannina Taboada, John Duro, Sean Terrell, and Jenaro Goode.

Matthew Bourbon writes about an artwork by Terri Thornton, on view in the group show "Decades" at Barry Whistler Gallery.

Neil Fauerso reviews a solo exhibition of paintings and ceramics by artist Jim Shrosbree, on view at Spellerberg Projects in Lockhart, Texas.

Fernanda Calera highlights some of the standout artworks from the 20th edition of the Zona Maco Art Fair in Mexico City.

Hills Snyder reviews a retrospective of work by Texas artist Celia Álvarez Muñoz, which is currently on view at the University Art Museum at New Mexico State University.

Meher Qazilbash reviews an exhibition of colorful, lush paintings by Austin-based artist Tsz Kam.

Michelle Kraft reviews a solo exhibition of works depicting the West Texas landscape by Abed Monawar, on view at the South Plains College in Levelland.

Joseph R. Wolin reseña una exposición en Dallas que presentó la obra del influyente artista mexicano Abraham Ángel.

Rounding out his trip to Mexico City's art fairs, Bryan Rindfuss recaps five of his favorite projects at the artist-focused fair, Salón Acme.

From cardboard furniture to medical models, and oil paintings to cast bronze crocheted blankets, Bryan Rindfuss selects five highlights from this year's Feria Material.

Benjamin Ogrodnik reviews a show tracing the lineage of the recent work of San Antonio-based artist Jenelle Esparza.

Bryan Rindfuss highlights dazzling installations, abstract eye candy, and other standouts from the 20th edition of the Zona Maco art fair.

Brandon Zech reviews "Pictures from Home," a meta memory play inspired by the work of photographer Larry Sultan.

Valentin Diaconov reviews an exhibition of drawings, videos, and an installation by artist Hanne Darboven at the Menil Drawing Institute.

Michael Frank Blair reviews a show of inventive landscape paintings by artist Jim Woodson, on view at Valley House Gallery in Dallas.

Susan Chadwick writes about the life of Frank X. Tolbert 2 and his posthumous solo exhibition, which is on view at Andrew Durham Gallery in Houston.