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Philip Kelleher reviews the environmentally-themed artwork in the 2024 Texas Biennial.

Lauren Moya Ford writes about the social and political implications of food in the work of Rolando Briseño.

William Sarradet talks with artist and educator Dr. Estelle Voisin-Fonteneau about the loss of Eros, the architecture of sacred spaces, and the written language of patriarchal societies.

Jessica Fuentes speaks with Houston-based artist Verónica Gaona about her artistic practice and the role art residencies have played in her career.

Ronnie Yates reviews a group exhibition at Josh Pazda Hiram Butler of work that addresses frailty, ephemerality, and memory.

Jessica Fuentes reseña “Flow States – LA TRIENAL 2024” en El Museo del Barrio en Nueva York.

This week: an exhibition featuring divine objects in Houston, a show presenting early works by a renowned Houston artist in Victoria, a solo exhibition exploring identity and belonging in Dallas, and more.

Susan Chadwick profiles sculptor Mac Whitney, discussing his decades-long career in the arts and two concurrent exhibitions in Houston.

Renee Lai talks with Vincent Valdez about the political events that influence his work and the techniques that inform his process.

In partnership with Art21, Glasstire is co-publishing films about contemporary Texas-related artists. The sixth installation features Rafael Lozano-Hemmer.

Colette Copeland reviews three solo shows that contest dominant histories and emphasize the importance of female resilience.

Michelle Kraft reviews an exhibition of oil and cold wax paintings that explore the human capacity for good and evil.

Leslie Moody Castro reviews an exhibition of abstract paintings by Houston artist Rick Lowe at the Palazzo Grimani in Venice, Italy.

William Sarradet writes about a group show of typographic work, a solo show of paintings, and an exhibition exploring Houston's water issues.

Philip Kelleher escribe sobre una exposición de cerámica puebloana en el MFAH curada colectivamente por miembros de veintiún comunidades tribales.

In celebration of the Museum of Fine Arts, Houston's 100th birthday, arts professionals are highlighting their favorite pieces in the museum's collection.

This week: an exhibition in San Antonio celebrating the anniversary of a significant essay that shaped the discourse around Chicano Art, a show featuring lens-based artists exploring concepts of home and family in Fort Worth, a traveling exhibition considering the arc of human reproduction through a design lens comes to Houston, and more.

Jessica Fuentes writes about her reflexive experience in the James Turrell “Come to Good” installation at Keith House.

Emma S. Ahmad reviews two mixed-media shows at Ro2 Art Gallery that reflect the current social and political moment.

Ian Etter reviews an exhibition of paintings that draw inspiration from cosmological diagrams.