Feature

This week: a solo show rooted in counter-cartography in Houston, a photography exhibition featuring people and places from across the world, a permanent collection show including works by Texas artists past and present in Dallas, and more.

Lauren Moya Ford reviews a new book co-published by Aperture and the Center for Creative Photography featuring the collected works of Chicano photographer Louis Carlos Bernal.

Max Tolleson writes about four days of films, lectures, and performances at the 2024 Agave Festival Marfa.

Ruben C. Cordova writes about the making of the works in the exhibition "Ángel Rodríguez-Díaz: The Goddess Triptych Reunited” at the San Antonio Museum of Art.

Brandon Zech talks with Erin Dorn about her experiences working in Houston's art institutions and starting her own gallery, Seven Sisters.

The Michelson Museum of Art in Marshall, Texas is presenting an exhibition of meticulous drawings by artists Aj Smith and Marjorie Williams-Smith.

Jessica Fuentes talks with printmaker Ben Muñoz about a failed grant project and commission that ultimately launched his career.

Michele Brangwen writes about The Pilot Dance Project's new series of dances and the ideas, artworks, and myths that influenced it.

This week: a major survey of Latinx art in Fort Worth, a solo show of new print-based mixed-media works about Black womanhood in Houston, an exhibition featuring landscapes and cityscapes in Tyler, and more.

A video tour of the exhibition "Tracye Wear: From the Garden" at Moody Gallery, Houston.

Colette Copeland reviews a series of multi-media performances incorporating music, dance, projected video, and theater.

Christopher Karr interviews self-identifying queer artist Xandr Arquin and talks about their practice and bringing humanity back into the gallery space.

Liz Kim writes on the work of John Biggers and the lasting influence he had on later generations of artists.

Meher Qazilbash reviews an exhibition of works by Daniel Wang and Loc Huynh that examine the role of water in our daily lives.

Gabriel Martinez talks with Michelle Barnes about the need for access to art in a community and how Houston’s cultural landscape has changed.

William Sarradet writes about two exhibitions at Cris Worley Fine Arts and The Power Station in Dallas.

A video tour of the exhibition "Delita Martin: What the Night Knew" at Nicole Longnecker Gallery, Houston.

This week: a group show featuring local artists in Houston, an immersive landscape exhibition in Dallas, a solo exhibition of new narrative drawings and sculptures in Albany, and more.

Rosa Boshier González reseña una exposición de dibujos y grabados de la artista Ruth Asawa en el Menil Drawing Institute en Houston.

Lauren Moya Ford reviews a show of rarely seen Edo-period woodblock prints at the Blanton Museum of Art in Austin.