To these five, clay was fallow ground, just waiting to get all plowed up. As Joan Miró said, "It is time to strike a blow."
Jim Starr
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Gallery director Marty Walker described how the opening-night crowd at Wayne White’s show I Fell 37 Miles to Earth 100 Years Ago queued up like airport ticket holders below those…
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When Jacob Lawrence‘s biographical series about Haitian revolutionary hero Toussaint L’Ouverture was first shown in 1939 at the Baltimore Museum of Art, the 41 tempera paintings catapulted the twenty-one-year-old to…
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Years ago, I officed in a building with a pair of psychologists. One Saturday, around the same time a client of theirs had finally worked up the courage to come…
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Performance/Art at The Dallas Museum of Art is something of a welcome to the city’s new Performing Arts Center and Winspear Opera House. Organized by the DMA’s Charlie Wylie, the…
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Susan Rothenberg was having a quiet moment at the Modern Art Museum of Fort Worth on the eve of her exhibition Moving in Place, the artist’s first museum show in…
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Before I abandoned employer-based health insurance and a predictable income to make art, I spent 30 years of my life doing graphic design. I worked for all kinds of clients,…
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Review
Diego Rivera: The Cubist Portraits, 1913-1917 at the Meadows Museum
by Jim Starrby Jim StarrShort Ride in a Fast Machine That knife-in-the-back-of-the-neck might have been just the wake-up call Diego Rivera needed. Paris "she-devil" Marevna Vorobieva-Stebelska had the shiv up her sleeve, awaiting their…