Peter Simek, writing in D Magazine, describes the “lackadaisical display of orchestrated demolition” at Beefhaus in Dallas last Saturday, and wonders if the Whyte Window / Black Mirror / Black Burka Art Show was a riff on Loris Greaud’s aniticlimactic bit of destruction theater at the Dallas Contemporary, minus, of course, Greaud’s postgame media-baiting.
Watch some video of it here:
