Vidor Sculptor Charlie Stagg Dies After Fall Into Fire Pit at Backwoods Visionary Compound
Vidor sculptor Charlie Stagg died yesterday at UTMB in Galveston from burns suffered when he fell into an open fire pit at his eccentric folk-art style glass bottle and cement home and studio in the woods near Vidor, TX. He was 72.
One of East Texas’ best kept secrets, Stagg began the free-range building project, the A. V. Stagg Art Studio and Wildlife Preserve, his major work, in 1981, on family farmland. Although he lived alone with cats, dogs, goats and king snakes, but no air conditioning, he welcomed frequent visitors to his visionary environment, where he continued to carve and assemble works from pine branches and found objects which have been featured in many shows across the country.
Despite his outsider lifestyle, Stagg was an academically trained artist with a degree from the Tyler School of Art who chose to isolate and immerse himself in his work, free from distractions and pressures.







I remember very well when he showed up at Tyler, I was an undergrad.
Charlie had the most impressive beard long before ZZ Top
This sad news has been forwarded to others from Tyler that him better.
Please note that Charlie did not fall into a fire pit. Don’t know where the Houston Chronicle got their info. He did burn himself on his woodstove, but he was already very, very ill at the time. Truthfully, his body just gave out. It’s not as sensational as it sounds, and he was receiving excellent care from family and friends. This makes it sound like he was being neglected!
In 1987 we participated in an exhibition curated by James Surls at Blue Star in San Antonio which was then barely a year old. Our contribution to this show was a suitcase that we bolted to the rear bumper of Jack’s pickup truck and dragged all the way from Houston to San Antonio. Although we drove along old highway 90, we still managed to get stopped twice by the highway patrol who ordered us to remove the suitcase, which we promptly did, then promptly re-attached upon their departure. We finally arrived at Blue Star that late that evening to be greeted at the door of the exhibition space by none other than Charlie Stagg, buck naked (buck nekkid). We slept on the concrete floor that night because none of us had any money to do otherwise. We spent the next day installing our work. Charlie’s piece was one of his signature wood corkscrew snake-like things, part twisting Clyde Connell, part whittled erector set tower, and preposterously, ambitiously gigantic. Later we downed more than a few beers together at the opening. This is how we met Charlie. We remained friends ever since, seeing him less frequently as our lives changed and he became ill. Charlie was one of a kind and thoroughly Texan- a friendly fiercely independent iconoclast. We’ll miss you, Charlie, and we’ll see you on the westward side…