Michael Corris reviews an exhibition of paintings and photographs by Willie Binnie at Keijsers Koning.
Review
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Gabriel Martínez reseña una exposición de alfombras tejidas a mano que representan los riesgos de migrar a nivel mundial.
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William Sarradet reviews a 25-year retrospective, a show of minimalist works, and encaustic abstractions in Houston, Dallas, and Fort Worth.
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Bryan Rindfuss visits all three Mexico City art fairs and shares some of the comedic highlights of art week.
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Jessica Fuentes writes about Christopher Blay’s “East Rosedale Monument Project,” a public artwork in Fort Worth’s Southside.
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Ian Etter reviews an exhibition of work created at the Chinati Residency that captures the essence of the West Texas.
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Joseph Staley reviews an exhibition of paintings which draw inspiration from failed CIA operations.
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Arianne Ohman reviews an Ansel Adams exhibition that examines his artistic process and the influence he had on younger generations.
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Christopher Karr reviews a show of prints at the San Antonio Museum of Art that explores immigration, labor, and the aesthetic influence of Mesoamerican symbolism.
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Christie Stockstill reviews an exhibition that uses the lens to highlight the importance of family bonds.
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Brandon Zech on the singular work of Marfa, Texas-based artist Julie Speed.
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Colette Copeland reviews a show of color photography that explores the social dynamics and group identities of the late 20th century.
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Jessica Fuentes escribe sobre “Properties” de Cameron Rowland, una exposición en el Dia Beacon que cuestiona ideas relacionadas con la tierra y su valor.
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Review
Review: “The South Got Something to Say” at Sanman Studios, Houston
by Ronnie Yatesby Ronnie YatesRonnie Yates reviews a multimedia exhibition that celebrates the contributions to American culture that southern Black women have made.
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Lauren Moya Ford reviews a book outlining the difficulties and struggles faced by Camille Pissarro on his journey to becoming the Father of Impressionism.
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Review
Review: Texas Biennial: “The Last Sky: Thermals and Thresholds”
by Ronnie Yatesby Ronnie YatesRonnie Yates reviews the politically-oriented themes of the Texas Biennial's "Thermals and Thresholds" at the Silos at Sawyer Yards in Houston.
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Jessica Fuentes writes about a traveling exhibition that explores the role of art and design related to the experiences of menstruation, reproduction, childbearing, and caregiving.
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Thomas Worth writes about six paintings by Picasso, Gauguin, Caillebotte, Monet, Couture, and Romanino that are free to view in the Kimbell Museum's Kahn building, for a limited time.
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Jonathan Rinck reviews an exhibition that collects a wide range of collage and assemblage works at Ruby City in San Antonio.
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Gabriel Martinez reviews an exhibition of hand-tufted rugs which depict the perils of global migration.