Review

Glasstire's staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for 2023.

Jessica Fuentes reviews “Witness: Black Artists in Texas, Then and Now,” on view at The Grace Museum in Abilene.

Valentin Diaconov reviews Laure Prouvost's exhibition "Above Front Tears Nest in South," on view at the Moody Center for the Arts at Rice University in Houston.

Leslie Thompson reseña una exposición en el Nasher Sculpture Center que completa el canon del arte de tierra.

Megan Wilson Krznarich writes about a stellar show of works from the collection of Marcela Preciado and José Noé Suro, on view through December 31 at Dallas Contemporary.

Lauren Moya Ford reviews the group exhibition "Something To Do With Pleasure," on view at 12.26 in Dallas.

William Sarradet writes about two exhibitions on view at the Nasher Sculpture Center in Dallas.

Leslie Thompson reviews the exhibition "Trespassers: James Prosek and the Texas Prairie," on view at the Amon Carter Museum of American Art in Fort Worth.

Valentin Diaconov reviews Vincent Valdez's 2023 Texas Artist of the Year exhibition at Art League Houston.

Doug Welsh writes about a collaborative show that's curated by Edwin Smalling and features work by Munro Galloway and Molly Zuckerman-Hartung.

Michele Brangwen writes about a recent performance by Eiko Otake, which was presented by Aurora Picture Show and Cynthia Woods Mitchell Center for the Arts.

Max Tolleson reviews an exhibition of portraits by Houston artist Nestor Topchy, on view at the Menil Collection.

Francesca Fuchs writes about an exhibition of unsettling sculptures by Houston-based artist Ryan Hawk, on view at Sweet Pass Sculpture Park in Dallas.

Brandon Zech reviews an ambitious outdoor sculpture exhibition featuring work by 14 artists and collectives.

Natalie Hegert reviews a group exhibition featuring five artists who explore the "politics, aesthetics, and experience of belonging."

Madison Ford reviews an exhibition of complex, sensual oil paintings by Los Angeles-based artist Lucy Bull, on view at The Warehouse.

Xan Murphy writes about the exhibition "Between Yesterday & Tomorrow," which features work by Black artists living and working in San Antonio.

Barbara Purcell reviews an exhibition of new works by Cey Adams at West Chelsea Contemporary in Austin.

Melissa Mednicov writes about the Greek-born artist Chryssa, whose often overlooked practice is the subject of a major exhibition at the Menil Collection in Houston.

William Sarradet writes about this year's iteration of the Texas Vignette art fair, a women-only annual exhibition in Dallas.