I recently sat down with Michael Auping, chief curator at the Modern Art Museum of Fort Worth, to discuss (among other things) Declaring Space, his revelatory exhibition of four artists…
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Margo Handwerker: "El Soñador Elegante" derives from Miguel de Cervantes’s character Don Quixote of Don Quixote de la Mancha. How many people do you think have read Don Quixote? David…
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Crafting the Anti-Biennial: Curator Gabriel Pérez-Barreiro’s “Third Bank of the River”
by Miranda Lashby Miranda LashIn 2006 Gabriel Pérez-Barreiro, curator of Latin American art at the Blanton Museum of Art, was selected to be chief curator for the sixth Mercosul Biennial in Porto Alegre, Brazil.…
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Former San Antonio based, now Houston based Augusto Di Stefano uses deliberate marks on canvas and paper to create images that evoke emotional and physical boundaries. He sprays each painting…
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The San Antonio new media duumvirate better known as Potter-Belmar Laboratories took a moment to talk to me about new media in TX. Leslie Raymond, head of the new media…
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Renée Lotenero received her MFA in sculpture from UCLA in 2004. Her work has been featured in various group shows including Almost 30, a 2006 exhibition at the Ulrich Museum…
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Brit artist Tracey Emin is a woman’s woman. She cuts a clear path through the bush — the weeds of yesterday’s feminism, the “ism” without which we’d be nowhere.
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Marie Lorenz fabricated a small, precarious kayak and floated down the San Antonio River along the Riverwalk. She consistently revisits themes surrounding waterways, boats and navigation. The New York-based artist…
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This year the Creative Research Laboratory (CRL) mounted the traditional summer grad show, except it shifted the structure around: Where typically a two-part exhibition splits the students into two groups,…
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Margo Handwerker interviews curator Valerie Cassel Oliver about Black Light/White Noise: Sound and Light in Contemporary Art, on view at the Contemporary Art Museum Houston.
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Collecting is a family affair for Houston collectors Robert, Jereann and Holland Chaney, who began assembling their diverse collection of cutting-edge art over 15 years ago. Early on they developed…
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Sterling Allen, an Austin artist and co-founder of the gallery Okay Mountain, first came to Glasstire's attention in the Austin Museum of Art's 2005 triennial, 22 to Watch. The following…
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Basim Magdy: Mud Pools and how we got ourselves to look for Bigfoot Heaven
by Rachel Cookby Rachel CookCairo-based Basim Magdy has created two giant installations both inside and outside of Okay Mountain in the most ambitious show to date for this one-year-old artists space.
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There is a lot going on in Smile Forever, your current show at Art Palace: paintings, drawings and one giant sculpture. Across the board, your subject seems to be, for…
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As the next guest curator to make a mark on Artpace’s residency program, I wonder if you could help me introduce you as a curator to your first Texan audience.
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Rita Gonzalez sits down with Adrian Esparza to interview him about his work. Esparza will be included in an upcoming exhibition at the Los Angeles County Museum of Art entitled…
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Gilbert Vicario is assistant curator of Latin American Art at the Museum of Fine Arts, Houston. He was chosen to curate the United States entry in the 10th Cairo International…
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I was introduced to Michael Phelan when he bought a sculpture made by a friend of mine. In the work, a tiny, handwritten message on a stick is propped on a concrete block resting on an old piece of linoleum. I considered it her best work to date and was glad to know that someone else appreciated it as well.
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If, as Heraclitus pronounced centuries ago, 'you can't step into the same river twice,' then the Austin Museum of Art's recent joint exhibitions entitled Over + Over and Again +…
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Joey Fauerso's residency in Roswell, New Mexico, has given her time from her job as an art educator to focus on her art. I asked her to share her experiences…