Risa Puleo

"We continue to struggle with how we feel about Smithson’s words. ...one passage in particular claims flatly that Mexico is a violent and dangerous place. We are choosing consciously not to turn away from Smithson’s racism but towards it."

For her latest exhibition, Eileen Maxson materializes iconic moments from the 1994 cult classic “Reality Bites”

Full of painterly witticisms, Kerl's work demonstrates the hallmarks of good painting: an acknowledgement of its history and a formal playfulness.

Tomlinson carries a notebook with him at all times to capture the “cognitive dandruff” and “exfoliations” of his mind, a humble and lyrical way of describing the permutations of an active and prolific thinker.

A humble pornography of micro-penises, Andrew Wyeth’s The Clearing, platinum scans of a vagina, and a small coffin frosted in chocolate.

Sterling Allen, an Austin artist and co-founder of the gallery Okay Mountain, first came to Glasstire's attention in the Austin Museum of Art's 2005 triennial, 22 to Watch. The following…