Feature

Bucky Miller reviews “Very Pictorial Conceptual Art,” a monograph featuring the work of photographer Robert Cumming.

A video tour of the exhibition Mami Wata Afrofuturism: 500 Years Back to the [Afro][F]uture at the Houston Museum of African American Culture (HMAAC).

A video tour of the exhibition "Cindee Klement and JR Roykovich: Potentia // Actualitas" at Throughline Collective.

Caroline Frost reviews the inaugural edition of the Affordable Art Fair in Austin, Texas, which ran from May 16-19, 2024.

Lauren Moya Ford reviews an exhibition of print and textile works by Anni Albers at the Blanton Museum of Art.

Jessica Fuentes writes about the second iteration of the exhibition “Soy de Tejas: A Statewide Survey of Latinx Art,” on view at Arts Fort Worth.

William Sarradet writes about two exhibitions at the African American Museum, Dallas and the Galveston Arts Center.

This week: an exhibition in Houston showcasing works made in response to the precariousness of life; a group show featuring pieces on place, time, and color in Austin; a solo exhibition featuring photographs and works on paper in Dallas, and more.

Jessica Fuentes habla con Celia Álvarez Muñoz, artista conceptual multidisciplinaria, sobre su vida, arte y conexión con San Antonio.

Jason Gudasz writes about both his visit to Michael Heizer's large-scale artwork "City," and a screening at the Sphere in Las Vegas.

Jacky Cortiaus reviews an exhibition at the MFAH of works made over the course of a single summer that gave birth to a movement.

William Sarradet and Gabriel Martinez discuss the Julio Torres film Problemista and its depiction of the difficulties of succeeding in the contemporary art world. 

William Sarradet writes about five films by Rosa von Praunheim, Ryan Trecartin, and Wong Kar Wai, screened at Spacy in Dallas.

This week: an exhibition featuring landscape photographs of places blues singer Blind Lemon Jefferson once lived in Dallas, a retrospective of an artist's 50-year career in Houston, a solo show of surreal and rebellious works in McAllen, and more.

Hills Snyder reviews Alex Garland's film "Civil War."

Donna Tenant reviews an exhibition of new photographic, performative, and textile-based artworks by Sarah Sudhoff at Andrew Durham Gallery in Houston.

Rosa Boshier González reviews an exhibition of drawings and prints by artist Ruth Asawa at the Menil Drawing Institute in Houston.

Seyde Garcia writes about the interconnectedness of "Vernacular Systems," on view at the Contemporary at Blue Star in San Antonio.

Barbara Purcell talks with artist Caroline Wright about motherhood, movement, and working large scale.

Neil Fauerso reviews the exhibition "Upward Mobility" by the de la Torre brothers, on view at the McNay Art Museum in San Antonio.