Feature

This week: an exhibition about major conflicts between the U.S. and Central America in El Paso, a solo show examining the U.S. Army Corps of Engineers' efforts related to Ike Dike in Austin, a meditation on aging in Dallas, and more.

Mari Carmen Barrios Giordano writes about the meticulous work of Gustavo Díaz on view at Sicardi Ayers Bacino and the Menil Drawing Institute.

Laura Neal reviews an exhibition of diverse sculptural styles that offer a poetic meditation on time.

Kaila T. Schedeen reviews an exhibition of photography and video by Indigenous artists at The Blanton Museum of Art.

Ian Etter reviews an exhibition of small paintings that explore concepts of solitude, loss, and introspection.

William Sarradet and Gabriel Martinez review the photography, painting, and installation exhibitions that stood out this season. 

Jessica Fuentes writes about “Before Yesterday We Could Fly: An Afrofuturist Period Room” on view at the Metropolitan Museum of Art in New York.

A video tour of the exhibition "Folded Time: Colleen Maynard and Sarah Sudhoff" at Throughline, Houston.

A video tour of the exhibition "Rachelle LeBlanc: No Time for Sorry" at Reeves Art + Design.

Philip Kelleher writes about a show of intricately constructed photographic collages that stretch a split-second of action into a meditation on mob mentality and the rejection of the new.

This week: an immersive experience brings Paris architecture to Houston; an exhibition of portraits exploring Chicano, Bordeña, and Fronterizo cultures in Alpine; a show featuring narrative art from the Southwest in San Antonio; and more.

Lauren Jones reviews an exhibition of religious objects from around the world organized by guest curator and author Neil MacGregor.

Caroline Frost reviews an exhibition in Marfa of artworks by Cody Barber that blend action, form, and color.

Gabriel Martinez talks with Benito Huerta about the evolution of his artwork and his decades-long commitment to culture in the state of Texas.

Doug Welsh reviews an exhibition of paintings that explore deliberate and incidental mark-making at Jonathan Hopson Gallery.

Matthew Bourbon reviews two recent exhibitions in Dallas, focusing on a single piece from each show.

Jessica Fuentes reviews “Flow States – LA TRIENAL 2024” at El Museo del Barrio in New York City.

A video tour of the exhibition "2024 Regional Art Faculty Show" at Panhandle-Plains Historical Museum, Canyon.

A video tour of the exhibition "Patrick McGrath Muñiz: REMINISCENCIA/REMINISCENCE" at Heidi Vaughan Fine Art, Houston.

William Sarradet writes about two outdoor light-based festivals in Dallas, Texas and Sunland Park, New Mexico.