Lee Escobedo

Harvey is mining the history of gay culture to reveal binaries within which celebrate and dehumanize different modes of sexualization.

When the characters in Peña's piece speak his words, the room takes on a certain stillness, much like the weight of witnessing someone undress for the first time, or the last.

“Be fucking modern. If someone is taking a selfie with your piece, I think that’s fucking valid. I think that means you’re on to something. I’m glad you’re vibing out.”

Morris has turned to a kind of religious and artistic formalism, while cultivating a perhaps fanatical relationship with outdated technology, language and phenomenology.