Emma S. Ahmad

Emma S. Ahmad reviews two mixed-media shows at Ro2 Art Gallery that reflect the current social and political moment.

Emma S. Ahmad writes about a large, traveling artwork that hosts healing sound events and takes the form of an altered school bus.

Emma S. Ahmad reviews an exhibition of works addressing the reproductive rights of women in Texas, on view at Lagoon Studio in Dallas.

Emma S Ahmad reviews an exhibition of interactive, multisensory sculptures that draw on Indigenous culture.

Emma S. Ahmad reviews an exhibition celebrating the 40th anniversary of Dallas’ Conduit Gallery.

Emma S. Ahmad writes about a site-specific installation at the Modern Art Museum of Fort Worth that explores the process of grieving.

Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.

Emma Ahmad reviews the exhibition "Kathy Lovas: Indexicality, the Archive, and the Frame: A Retrospective Installation," on view at Liliana Bloch Gallery in Dallas.

Emma Ahmad reviews the exhibition "Full And Pure: Body, Materiality, Gender," on view at the Green Family Art Foundation in Dallas.

Emma S. Ahmad writes about the artist MOM's summer residency exhibition and mural project at The Creative Arts Center of Dallas.

Emma Ahmad writes about three exhibitions currently on view at Arts Fort Worth.

Emma Ahmad writes about the current outdoor, site specific project by Isabel Lee-Rosson at Terrain Dallas, on view through May 7, 2023.

Emma Ahmad reviews the exhibition "Stack and Smoosh," curated by Benjamin Terry and featuring work by Claire Kennedy, Niva Parajuli, and Megan Reed.

Emma S. Ahmad reviews an exhibition at the Irving Arts Center that responds to the recent protests for women's right in Iran.

Garcia’s work is a part of its locale, centering around the community of Bonton and emphasizing the interdependence between artwork, a place, and its history.