April 21 - January 9, 2021
This exhibition features found object assemblage and artwork created by friends and associates of David McManaway. David McManaway (from Chicago), Jim Love (from Amarillo), and Roy Fridge (from Beeville) migrated respectively to Dallas, Houston, and Port Aransas in the late 1950s and early 1960s where they spearheaded a midcentury Texas chapter in the long standing tradition of assemblage or found object art. David McManaway moved to Dallas in 1959 and abandoned painting in favor of assemblage art and together with Love, Fridge, Winter, and Williams established a resurgence of interest in the transformative power of creative appropriation of discarded objects. The members of this artist collective, a rare occurrence today, were close companions who supported independent and shared artistic pursuits. Much of the art in this exhibition was created in response to their relationships with one another resulting in visual puns, inside jokes, and shared experiences at home, in the studio, and in the art world. Artwork by other McManaway colleagues Harold Hill, Jack Boynton, Sam Gummelt, Robin Ragin, Norma McManaway, Tracy Hicks, and Bill Komodore expands the definition of the Jomo Collective to include but a few of the many artists inspired by their mentor and friend, David McManaway.
Attached Artwork credit: David McManaway, Book of Visual Jomos [Cover Page], no date, spiral bound book, Collection of Noel and Robin Ragin
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