Review

Max Tolleson writes about the sculptural interventions in former rice silos on view in “Dry Place” at SITE Gallery in Houston.

Leslie Moody Castro reviews an exhibition at Women & Their Work that uses the camera to explore the unique and the universal experiences of mourning.

Michelle Kraft writes about the complex systems of the natural world at play in "Elements on Earth and Beyond," on view at LHUCA in Lubbock.

Brenda Melgoza Ciardiello reviews "Surrealism and Us: Caribbean and African Diasporic Artists Since 1940," on view at the Modern Art Museum of Fort Worth.

Michael Flanagan explores poetic landscapes and organic forms on view in "Terrell James: Time and Tide" at Josh Pazda Hiram Butler Gallery in Houston.

Jessica Fuentes reseña “El surrealismo y nosotros: Artistas de la diáspora caribeña y africana desde 1940” en el Museo de Arte Moderno de Fort Worth.

William Sarradet writes about two very different exhibitions on view at Barry Whistler Gallery and Ro2 Art in Dallas.

Lauren Moya Ford reviews a new book co-published by Aperture and the Center for Creative Photography featuring the collected works of Chicano photographer Louis Carlos Bernal.

Ruben C. Cordova writes about the making of the works in the exhibition "Ángel Rodríguez-Díaz: The Goddess Triptych Reunited” at the San Antonio Museum of Art.

Michele Brangwen writes about The Pilot Dance Project's new series of dances and the ideas, artworks, and myths that influenced it.

Colette Copeland reviews a series of multi-media performances incorporating music, dance, projected video, and theater.

Liz Kim writes on the work of John Biggers and the lasting influence he had on later generations of artists.

Meher Qazilbash reviews an exhibition of works by Daniel Wang and Loc Huynh that examine the role of water in our daily lives.

William Sarradet writes about two exhibitions at Cris Worley Fine Arts and The Power Station in Dallas.

Rosa Boshier González reseña una exposición de dibujos y grabados de la artista Ruth Asawa en el Menil Drawing Institute en Houston.

Lauren Moya Ford reviews a show of rarely seen Edo-period woodblock prints at the Blanton Museum of Art in Austin. 

Max Tolleson reviews a two-person exhibition by Sheila Forde and Tuomas Korpijaakko, on view at F in Houston.

Bucky Miller reviews “Very Pictorial Conceptual Art,” a monograph featuring the work of photographer Robert Cumming.

Caroline Frost reviews the inaugural edition of the Affordable Art Fair in Austin, Texas, which ran from May 16-19, 2024.

Lauren Moya Ford reviews an exhibition of print and textile works by Anni Albers at the Blanton Museum of Art.