Review

Garland Fielder reviews the exhibition "William Kentridge: In Praise of Shadows," on view at the Museum of Fine Arts, Houston.

Leslie Thompson reviews an exhibition featuring 20 years of work by artist and musician Eamon Ore-Giron.

Doug Welsh reviews an immersive exhibition by Houston artist Patrick Renner, on view at Architecture Center Houston.

Caroline Frost reviews an exhibition featuring artists shown by the legendary Arizona art dealer Elaine Horwitch.

Sophia del Rio reviews Ghislaine and Lando Fremaux-Valdez's raw, powerful exhibition, "CORPUS SECRETUM, (body secret)," on view at Arts Fort Worth.

Valentin Diaconov reviews three exhibitions by artist Ming Smith, on view at the Contemporary Arts Museum Houston, Art is Bond, and Barbara Davis Gallery.

Jacky Cortiaus reviews Angelica Raquel's solo exhibition "Leyendas and Mine," on view at Hooks-Epstein Galleries in Houston.

William Sarradet writes about exhibitions at Martha’s, The Contemporary Austin, McLennon Pen Co. Gallery, and Northern-Southern.

Megan Wilson Krznarich on how the exhibition "If you look Hard Enough, You Can See Our Future" at the African American Museum in Dallas reflects the people and happenings of the city.

Jessica Fuentes and Brandon Zech discuss the exhibition "William Kentridge: In Praise of Shadows," featuring 35 years of work by the artist, on view at the Museum of Fine Arts, Houston.

Leslie Thompson reviews the exhibition "Echoes of Our Ancestors," on view at Kinfolk House in Fort Worth

Colette Copeland reviews an exhibition by Don Netzer that explores the mechanics and tools of gun violence.

Michelle Kraft reviews a solo show by Houston artist Nela Garzón and a group exhibition featuring works by PrintHouston member artists, both on view at LHUCA in Lubbock.

Leslie Moody Castro writes about an exhibition of photographs that highlights the underrepresented culture of Black cowboys.

Barbara Purcell writes about the New York City half of the exhibition "I Am Not Your Mexican," on view at Ruiz-Healy Art.

Ashley Allen reviews the exhibition "I Am Not Your Mexican" at Ruiz-Healy Art in San Antonio.

Josué Ramírez reviews an exhibition of recent sculptures by Texas artist Danville Chadbourne, on view at the San Benito Cultural Heritage Museum.

Courtney Thomas reviews the current exhibition at the Elizabet Ney Museum, in which sculptures by Alejandra Almuelle are in dialog with works from the museum's permanent collection.

Bucky Miller writes about the pleasure of used bookstores and reviews three books about art and photography.

William Sarradet writes about the Currents New Media Festival in Santa Fe, and visits Meow Wolf's "House of Eternal Return."