Feature

Daniel Orr reviews a show of work by a silent film cinematographer whose art bridges modern photography and early cinema.

Park Myers writes about a group show at Josh Pazda Hiram Butler that highlights artistic collaboration and candid inclusivity.

Neil Fauerso reviews a hypnotic performance at Ranch Apocalypse in South Austin.

William Sarradet writes about two exhibitions at Ivester Contemporary in Austin and the Old Jail Art Center in Albany.

This week: a two-person photo-based show in Houston featuring color and movement, a group exhibition in Austin focused on Black femininity and queer identity, a permanent collection show at a museum in Corpus Christi, and more.

Lauren Shults talks with Annie Arnold about social media, the humble brag, and the art of influencing.

Gabriel Martinez talks with curator Molly Everett about the artistic intersections of land, body, and history on view in "Resonant Earth" at the Moody Center for the Arts.

Jillian Wendel writes about a multimedia exhibition that pushes the boundaries of sculpture and responds to the architecture of the Nasher Sculpture Center.

William Sarradet and Gabriel Martinez discuss the links between a critical history of Latin America, a fictionalized account of a military coup, and our robotic future as depicted in animated sci-fi cinema.

Jessica Fuentes reviews the 2024 “Delta Triennial,” focusing on the seven Texas artists included in the juried show.

Liz Kim talks with artist Bria Lauren about the importance of family history, photography, and the influence of Houston's Third Ward.

This week: a solo show addressing issues related to mental health, the body, and family in Houston; an exhibition focusing on the dedication and labor of the marginalized communities in Dallas; intricate paper and felt works make up an immersive installation in San Antonio, and more.

Seyde Garcia talks with artist Jorge Villarreal about finding artistic inspiration in Cuba and starting a residency program.

Emma S. Ahmad reviews an exhibition celebrating the 40th anniversary of Dallas’ Conduit Gallery.

Colette Copeland reviews two shows that explore the human condition and the means by which it is mediated.

In the first of a series of interviews with Texas master printers, Caleb Bell talks with Alyssa Ebinger of Flatbed Center for Contemporary Printmaking.

Emma S. Ahmad writes about a site-specific installation at the Modern Art Museum of Fort Worth that explores the process of grieving.

William Sarradet writes about the material innovations of two exhibitions in Dallas at SITE131 and the Nasher Sculpture Center.

This week: a group printmaking show in Austin, newly acquired works on view in San Angelo, a staff exhibition in Dallas, and more.

A video tour of the exhibition "Future Paradise: Landscapes of Digital Existences" on view at Arts Fort Worth through August 24.