Feature

This week: a solo photo show exploring the course of the Rio Grande/Río Bravo in Marfa, a group show addressing abortion access and reproductive rights in Dallas, 14 artists responding to environmental crisis and climate change in Houston, and more.

Caleb Bell profiles three Houston studios offering printmaking, photography, and ceramics to community members.

Philip Kelleher reviews a show of prints and video which double, abstract, and contort vision.

Brenda Melgoza Ciardiello writes about the nuances of Latinx identity, as seen in the work of the Texas-based participants in "Flow State," El Museo del Barrio's 2024 Trienal.

Jessica Fuentes and Gabriel Martinez discuss the Surrealist century and the slate of upcoming shows celebrating this influential movement.

Jessica Fuentes writes about recent cuts to arts funding across Texas and reflects on the impact on artists, art institutions, and communities.

John Davis reviews an exhibition of Howard Sherman's frenetic abstractions at 4411 Montrose.

Renee Lai talks with Aryel René Jackson about the benefits of doubt to a studio practice and the historical moments that influence their work.

This week: a solo show exploring life and humanity through art and science in Fort Worth, a biennial group show featuring ceramic works in Corpus Christi, a solo exhibition in Beaumont of photographs by an artist documenting the Ukraine war, and more.

Susan Chadwick reviews an exhibition highlighting two decades of Arielle Masson's work at the Glassell School of Art at the Museum of Fine Arts, Houston.

Carris Adams speaks with Vicki Meek about the roots of her practice, her visual vocabulary, and her influential career in the arts.

In partnership with Art21, Glasstire is co-publishing films about contemporary Texas artists. The third installation is four short films by Hubbard / Birchler.

May Howard reviews two public artworks on the Rice University campus that explore memory and adaptability.

Emma S Ahmad reviews an exhibition of interactive, multisensory sculptures that draw on Indigenous culture.

William Sarradet writes about the critically lauded play "Oh, Mary!" written by and starring American comedian Cole Escola.

This week: a juried exhibition featuring artists from across the state in Houston, a three-channel video installation that puts parents through a polygraph exam in Dallas, a solo show rooted in the experience of childbirth in Austin, and more.

A video tour of the exhibition "Jackie Tileston: Just This" at Holly Johnson Gallery, Dallas.

Liz Kim reviews an installment of the 2024 Texas Biennial in Corpus Christi at K Space Contemporary.

A video tour of the exhibition "Earl Staley: The Machine," at Sabine Street Studios' North Gallery.

Jessica Fuentes considers Amalia Mesa-Bains’ “Circle of Ancestors” on view at the San Antonio Museum of Art.