Feature

Colette Copeland reviews two shows that explore the human condition and the means by which it is mediated.

In the first of a series of interviews with Texas master printers, Caleb Bell talks with Alyssa Ebinger of Flatbed Center for Contemporary Printmaking.

Emma S. Ahmad writes about a site-specific installation at the Modern Art Museum of Fort Worth that explores the process of grieving.

William Sarradet writes about the material innovations of two exhibitions in Dallas at SITE131 and the Nasher Sculpture Center.

This week: a group printmaking show in Austin, newly acquired works on view in San Angelo, a staff exhibition in Dallas, and more.

A video tour of the exhibition "Future Paradise: Landscapes of Digital Existences" on view at Arts Fort Worth through August 24.

Christopher Karr reviews a group show at Ruiz-Healy Art that pushes the boundaries of landscape painting.

Jessica Fuentes speaks with art dealer Jody Klotz about her decision to relocate from New York to Abilene three decades ago.

A video tour of Washington Gallery’s inaugural exhibition "Road Trip to Waco."

Megan Wilson Krznarich reviews a show of mixed media artworks that use the detritus of the information age to explore the natural world.

Leslie Moody Castro and Gabriel Martinez discuss the growing number of residencies in Texas and beyond.

Alli Rogers Andreen reviews a show in Dallas of cut-paper figures that draw on recent histories and future possibilities.

Jessica Fuentes on San Antonio-native Mia Lopez’s rise to become Curator of Latinx Art at the McNay Art Museum.

Arianne Ohman writes on a seventeenth-century piece that addresses the transience of life and beauty.

Jessica Fuentes charla con el grabador Ben Muñoz acerca de un proyecto comisionado para una beca que fue fallido, pero que al final impulsaría su carrera.

This week: an exhibition in Houston showcasing five decades of Japanese art, a show San Angelo featuring works by a Diné photographer in conversation with Edward Curtis, an artist explores the role of women in society over the last one hundred years in Lubbock, and more.

Anthony Sutton writes about the history at play in the work of Cian Dayrit, on view at the Blaffer Art Museum in Houston.

Michael Corris reviews an exhibition that bears witness to the trauma of our contemporary moment.

Texas filmmaker Michael Flanagan visits Bill DeBrooke's collection of artworks, cameras, and neon signs, where they discuss DeBrooke's support of artists and love of industrial design.

Kaila Schedeen writes about the entwined histories on view in Hubbard / Birchler’s public video art installation "Past Deposits from a Future Yet to Come."