Review

Hannah Dean reviews an exhibition of large, hand-carved wooden sculptures by Chad Plunket at LHUCA in Lubbock.

Valeria or reviews an exhibition by Houston-based artist Kenneth Tam that explores the effects on taxi drivers of the introduction of ride service apps.

Nicholas Frank reviews a survey of paintings, sculptures, and tableau by Chicano art legend, Frank Romero.

Lauren Jones reviews a two-person exhibition of still life paintings of symbolic objects with personal significance to the artists.

Johannes Birringer reviews a show of psychedelic landscapes on view at Sicardi | Ayers | Bacino, Houston.

Ronnie Yates reviews a group exhibition of paintings, sculptures, and performance that address Houston's unique climate.

Theodora Bocanegra Lang reviews an exhibition of sculptures made from reconstructed garments that explores the politics of the fashion industry.

Barbara Purcell writes about an unrealized Texas-based piece by Christo and Jeanne-Claude on the occasion of The Gates' 20th anniversary​​​​​​​.

Johannes Birringer reviews "as long as there is in me" an evening of dance, which includes "soul-writer" by ISHIDA; "It’s Happening Now" by Mauro Astolfi; and "Waltz" by choreographer and dancer Drew Jacoby.

William Sarradet writes about two exhibitions on view at Dallas College Eastfield Campus and Dallas Contemporary.

Christopher Karr reviews an exhibition of work that uses the archipelago as a metaphor to explore themes of fragmentation.

Seyde Garcia reviews an exhibition of paintings that capture the joyful energy of family life.

Ian Etter reviews an exhibition in Dallas of small, densely layered paintings at Erin Cluley Gallery.

Garland Fielder searches for the best works on display at Zona Maco during Art Week in Mexico City.

Kelly Mason reviews a multisensory performance by artist Xxavier Edward Carter at the Golden Blk Candle Lounge.

Hannah Dean reviews a multimedia exhibition of work by Jon Revett at CO-OPT Research + Projects in Lubbock.

Lauren Jones reviews an exhibition at Ivester Contemporary that explores memory and its abstractions through hand-embroidered storytelling.

Gene Fowler reviews an exhibition of the watercolors made by Mary Virginia Carson to document West Texas pictographs and petroglyphs.

Christopher Karr reviews an exhibition of artist and musician Lisa Alvarado's intensely-colored vibrational maps.

Ruben C. Cordova reviews a career-spanning survey of the work of Paul Gauguin on view at the Museum of Fine Arts, Houston.