Review

Joseph Staley writes about Joseph Havel’s poetic sculptures and drawings in his new exhibition at Josh Pazda Hiram Butler in Houston.

Lauren Jones reviews a group show of contemplative work installed in one of Austin's oldest buildings.

Colette Copeland reviews an experimental exhibition curated by Kickpigeon Kids that explores connections between technology and home.

Lauren Moya Ford reviews an exhibition at Asia Society Texas of Ise Katagami, the hand-cut stencils used to dye fabric in Japan.

Jessica Fuentes reviews an exhibition in El Paso documenting the practice of Un Dique, the Ciudad Juárez-based curatorial team.

William Sarradet writes about two recent exhibitions in Dallas at the former Belmont Hotel and Zeke's Projects.

Caroline Frost reviews an exhibition curated by Leslie Moody Castro that uses cochineal to explore contemporary gender discourse.

Liz Kim reviews a group exhibition of photographs, paintings, and prints by artists addressing themes of family and loss in their work.

Jillian Wendel reviews an exhibition of photographs that explores the power dynamics of interpersonal relationships.

Matthew Bourbon reviews a single standout oil painting by Haroun Hayward on view at the 2025 Dallas Art Fair.

Lauren Jones reviews a show of paintings by Jiab Prachakul which document her personal and professional relationships and her journey as an artist.

Brianna Glass writes about the artists taking on the difficult task of capturing the concept of "inbetweenness" at the CAM Perennial.

Christopher Karr reviews a show of mixed media work that uses natural forms to stage a search for identity and place.

Emma S. Ahmad reviews an exhibition of artworks by Indian women curated by Colette Copeland as part of her Fulbright research.

Mary Leclere reviews the first U.S. major museum survey of filmmaker and artist Tacita Dean at the Menil Collection.

William Sarradet writes about recent exhibitions at the Irish Museum of Modern Art (IMMA) and Kerlin Gallery in Dublin.

CAM Critical Writing Fellow Brianna Glass reviews an exhibition that explores identity and empowerment through self-portraiture.

Valeria or reviews an exhibition of the work of influential Houston painter Dorothy Hood on view at Hollis Taggart, NY.

Melissa L. Mednicov reviews a survey of the work of pioneering Art Deco artist, Tamara de Lempicka, at the Museum of Fine Arts, Houston.

Jessica Fuentes writes about a major retrospective of pastel drawings by the pioneering Chicana artist Judithe Hernández.