Feature

Livia Pereira reviews "Community Potluck," a group exhibition at Arts Fort Worth that showcases emerging talent.

Leslie Moody Castro and William Sarradet talk about recent events in the art world including the beheading of a public sculpture and the discovery of the oldest cave art.

Caroline Frost explores themes of doubling in the playful and sensuous paintings of Charlotte Fox, on view in “Sour” at McLennon Pen Co. Gallery in Austin.

Michelle Kraft reviews a show of sgraffito drawings that address life and death on the border on view at Evoke Contemporary in Santa Fe.

This week: a photography exhibition exploring the paranormal in Laredo, a solo show of surreal mixed media works in Dallas, a meditation on affection and gaze in Fort Worth, and more.

Prince Varughese Thomas writes about his colleague, mentor, and friend, artist Meredith "Butch" Marshall Jack.

Today: Cut paper portraits

Valentin Diaconov reviews an exhibit of new work by Houston-born artist Ana Villagomez on view at Nino Mier Gallery in New York.

In partnership with Art21, Glasstire is co-publishing films about contemporary Texas artists. The second film is about Michael Ray Charles.

May Howard writes about the personal and political histories interwoven in Paola de la Calle's work.

William Sarradet writes about two exhibitions on view at Holly Johnson Gallery in Dallas and the Galveston Arts Center.

Lauren Moya reseña un nuevo libro coeditado por Aperture y el Centro para la Fotografía Creativa que presenta las obras completas del fotógrafo chicano Louis Carlos Bernal.

This week: a show of otherworldly but familiar landscapes in Austin, an exhibition of ceramics and prints in Odessa, paintings by Billy Al Bengston in Houston, and more.

Gabriel Martinez talks with Dallas-based artist Stephen Lapthisophon about his influences, his process, and how to know when a piece is finished.

8th grader Niki Golban reviews the exhibition "An Archaeology of Silence" by Kehinde Wiley, formerly on view at the Museum of Fine Arts, Houston.

Lyndsay Knecht writes about agar, fungus, and other the organic materials used in Dallas artist Rachael Henson's work.

Jessica Fuentes and William Sarradet discuss the redesign and expansion of the Arkansas Museum of Fine Art and the upcoming "Delta Triennial."

Jessica Fuentes writes about "He Said/She Said: Contemporary Women Artists Interject," on view at the Dallas Museum of Art.

Kaila Schedeen speaks with artist Rodell Warner about photography, what is omitted from archives, and how AI affects Black representation.

A video tour of the exhibition "Where The Lines Meet” at Throughline, Houston.