Dallas’ Central Trak launched this past week. It’s the latest incarnation of the UTD-sponsored effort formerly known as the UTD/South Side Artist Residency, which was my entrée to the Big…
Titus OBrien
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I just discovered VBS , while searching for information on the floating island of plastic the size of Texas in the Pacific . It’s a brilliant little project. Check it…
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I just got back from a weekend trip to Kansas City, Missouri. Regular readers and friends of Siros will already be aware of my connection to that lovely burg 500…
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Conduit Gallery is coming on strong. It’s had a particularly solid run of shows lately. Their Design District space is partitioned in three, each separate room usually housing work by…
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I am experiencing a really peculiar art/book/music mash up at the moment. Over the weekend, I saw the Turner show at the DMA . Meanwhile, I also finished DH Lawrence’s…
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I took my 3-D design class over to see the Martin Puryear retrospective at the FW Modern the other day. It’s pretty spectacular. 20 years ago, he was one of…
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Nothing Always Happens
The Channelization Will Not Be Televized: Terence Hannum at Light & Sie
by Titus OBrienby Titus OBrienThis is too weird. On the heels of the whole Eric Trich debacle, a show comes along tailor-made to reinforce my dismay about a certain, all-too-common approach to art production…
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Nothing Always Happens
CAA ate my wallet: random meditations in/on art life, part 1
by Titus OBrienby Titus OBrienWell, I finally broke down and went to a CAA conference . They made it especially easy, bringing it right to my door here in Dallas. But they didn’t make…
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I found Roberta Smith’s critique of the new Eli Broad museum at LACMA incisive and thoughtfully biting. The inaugural show and her criticisms of it are as good a summation…
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http://www.youtube.com/watch?v=Hk2teXeGiwU it’s like everybody who’s out there painting destroyed landscapes covered with graffitti and trash, only with explosions and skateboarding in slo mo. Surfing our current apocolypse. It’s aesthetically everything…
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When I was 18, I met John Cage. I was in art school. He was coming to our city to do some performances and lectures and things. I didn’t know…
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Not to flog a dead horse, or thinking that anyone cares, but I thought I’d give my final two cents on O’Neil’s appearance on Stern. I surfed around this morning,…
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Nothing Always Happens
I…don’t understand. Is this performance art? Now Updated Hourly!
by Titus OBrienby Titus OBrienimage censored: The shirt-lifting image formerly occupying this space created a real broohaha. Stern’s taken it down, so must we for copyright issues. Carry on, readers. But for the…
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Hmm, this Tyler Green vs. Voice critic thing is veddy interesting. First of all, I think Viveros-Faune was entirely too casual, even flippant, in his responses to Green, and in…
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I have a confession. Uh – sometimes, I really enjoy an issue Vanity Fair. Occasionally I have to pick it up, like a fix or something. But I only read…
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Peel Gallery in Houston is curating an amorphous experiment in vernacular design to coincide with Design Life Now : National Design Triennial opening at the CAM. Conceived by San Francisco…
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Finally got over to Goss-Michael Foundation for the Hirst thing. I seem to only go there with pal Stephen Lapthisophon , when we need an excuse to prolong our lunch…
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I wanted to follow up on my Denver museum day musings (disheartened as I was with the new DAM building) with something positive about the new Museum of Contemporary Art…
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Holy baby Jesus, the new Daniel Libeskind–designed building of the Denver Art Museum is worse than I suspected it would be, from seeing it under construction the last couple years.…
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I finally got around this morning to wading through the lengthy breakdown on the message boards of CSAW ’s implosion down Houston way. Fascinating drama – or comedy of errors.…