Glass Houses 23: Ludwig Schwarz

by Everett Taasevigen October 10, 2010
A collage-based mixed-media work by Jamea Richmond-Edwards featuring a Black woman.
Jamea Richmond-Edwards, “Archetype of a 5 Star,” 2018, acrylic, spray paint, glitter, ink, and cut paper on canvas. Rubell Museum, Miami. © Jamea Richmond-Edwards
A work of art by Jean Wilkey featuring a faceless figure in a field holding a white flower.
Jean Wilkey
An image of an artwork that depicts a sky with feathery clouds and text that reads, ""Conseguí al rooster, Conseguí el crow, Conseguí el ebb pero no el flow."
Richard 'Ricky' Armendariz, "Conseguí al rooster, Conseguí el crow, Conseguí el ebb pero no el flow," 2006, oil on carved plywood, 48 x 72 inches.
A detail of a work in progress by Ian Gerson using found objects.
Ian Gerson, detail of a work in progress, 2024
A photograph of a quilt-like textile work by Teresa Lanceta.
Teresa Lanceta at the Meadows Museum

The spacious studio of Dallas native Ludwig Schwarz has beautiful natural light. The ceiling is covered with old pressed tin tiles and the paint-splattered wooden floor tells stories of past work. At first, Schwarz’s studio had a chaotic energy to it. But after settling in, I felt more relaxed and saw that Schwarz has a very calm nature that he brings to his studio and his vibrant and varied work. Using a combination of painting, video, sculpture and kitchen spices, his work is difficult to characterize and, at times, downright funny.
Ludwig Schwarz received a BFA from Southern Methodist University in Dallas and an MFA from the School of Visual Arts in New York. His work has been exhibited nationally and internationally at venues including PS 1, New York; DiverseWorks, Houston; Carnegie Mellon Art Gallery, Pittsburgh; ICA, London and Kunstbunker Tumulka, Munich, Germany. Schwarz was a finalist for the 2005 Arthouse Texas Prize.

 

Everett Taasevigen
is a Houston photographer.

 

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