Review

Emma S. Ahmad writes about a site-specific installation at the Modern Art Museum of Fort Worth that explores the process of grieving.

William Sarradet writes about the material innovations of two exhibitions in Dallas at SITE131 and the Nasher Sculpture Center.

Christopher Karr reviews a group show at Ruiz-Healy Art that pushes the boundaries of landscape painting.

Megan Wilson Krznarich reviews a show of mixed media artworks that use the detritus of the information age to explore the natural world.

Alli Rogers Andreen reviews a show in Dallas of cut-paper figures that draw on recent histories and future possibilities.

Arianne Ohman writes on a seventeenth-century piece that addresses the transience of life and beauty.

Anthony Sutton writes about the history at play in the work of Cian Dayrit, on view at the Blaffer Art Museum in Houston.

Michael Corris reviews an exhibition that bears witness to the trauma of our contemporary moment.

Kaila Schedeen writes about the entwined histories on view in Hubbard / Birchler’s public video art installation "Past Deposits from a Future Yet to Come."

Ruben C. Cordova reviews the strengths and weaknesses of the traveling exhibition "Xicanx" on view at Blue Star Contemporary, San Antonio

William Sarradet reviews two exhibitions at the Menil Drawing Institute in Houston and Arts Fort Worth.

Livia Pereira reviews "Community Potluck," a group exhibition at Arts Fort Worth that showcases emerging talent.

Caroline Frost explores themes of doubling in the playful and sensuous paintings of Charlotte Fox, on view in “Sour” at McLennon Pen Co. Gallery in Austin.

Michelle Kraft reviews a show of sgraffito drawings that address life and death on the border on view at Evoke Contemporary in Santa Fe.

Valentin Diaconov reviews an exhibit of new work by Houston-born artist Ana Villagomez on view at Nino Mier Gallery in New York.

May Howard writes about the personal and political histories interwoven in Paola de la Calle's work.

William Sarradet writes about two exhibitions on view at Holly Johnson Gallery in Dallas and the Galveston Arts Center.

Lauren Moya reseña un nuevo libro coeditado por Aperture y el Centro para la Fotografía Creativa que presenta las obras completas del fotógrafo chicano Louis Carlos Bernal.

8th grader Niki Golban reviews the exhibition "An Archaeology of Silence" by Kehinde Wiley, formerly on view at the Museum of Fine Arts, Houston.

Jessica Fuentes writes about "He Said/She Said: Contemporary Women Artists Interject," on view at the Dallas Museum of Art.