Review

Sofia Penny reviews a show of works that subvert representations of traditional femininity through the concept of the "monstruous-feminine."

Joseph Staley reviews an exhibition of monoprints and paintings by Matt Kleberg at Josh Pazda Hiram Butler.

Emma S. Ahmad writes about a large, traveling artwork that hosts healing sound events and takes the form of an altered school bus.

Joseph Staley writes about Stephen Greene's mixed-media drawings on paper on view at Moody Gallery.

Ruhee Maknojia reviews an exhibition of multimedia work that resists predetermined frameworks and challenges the notion of fixed identities.

Emma S. Ahmad reviews an exhibition of works addressing the reproductive rights of women in Texas, on view at Lagoon Studio in Dallas.

Philip Kelleher reviews an exhibition of works by Anna Mavromatis that highlight feminist tactics of resistance.

William Sarradet writes a Texas-based column examining urban themes in contemporary art through the lens of metropolitanism.

Philip Kelleher reviews a show of prints and video which double, abstract, and contort vision.

John Davis reviews an exhibition of Howard Sherman's frenetic abstractions at 4411 Montrose.

Susan Chadwick reviews an exhibition highlighting two decades of Arielle Masson's work at the Glassell School of Art at the Museum of Fine Arts, Houston.

In partnership with Art21, Glasstire is co-publishing films about contemporary Texas artists. The third installation is four short films by Hubbard / Birchler.

May Howard reviews two public artworks on the Rice University campus that explore memory and adaptability.

Emma S Ahmad reviews an exhibition of interactive, multisensory sculptures that draw on Indigenous culture.

William Sarradet writes about the critically lauded play "Oh, Mary!" written by and starring American comedian Cole Escola.

Liz Kim reviews an installment of the 2024 Texas Biennial in Corpus Christi at K Space Contemporary.

Brandon Zech writes about the uncannily familiar paintings of artist Rackstraw Downes.

Jennifer Davy writes about an exhibition of three distinct artists and three bands at the Warehouse in Magdalena, NM.

Garland Fielder reviews "The Bikeriders," a film based on the book of the same name by photographer Danny Lyon.

Meher Qazilbash reviews an exhibition of bright paintings by shedshow co-founder Mai Snow at Northern-Southern.