Feature

Jessica Fuentes considers Amalia Mesa-Bains’ “Circle of Ancestors” on view at the San Antonio Museum of Art.

Gabriel Martinez talks with Robert Boyd about Charles Burns, Gary Panter, and the art of underground comics. 

Brandon Zech writes about the uncannily familiar paintings of artist Rackstraw Downes.

Jessica Fuentes speaks with artist Karinne Smith about her practice and her unique residency at Fort Worth’s Sundance Square.

Jennifer Davy writes about an exhibition of three distinct artists and three bands at the Warehouse in Magdalena, NM.

This week: a solo show featuring a large installation in San Marcos, a group show embodying humor and satire in Fort Worth, a solo exhibition of collage works that explore intimate relationships in Houston, and more.

Glasstire is pleased to be the exclusive digital distributor for Michael Flanagan's award-winning documentary "Breaking the Code: The Art of Vernon Fisher," which chronicles the life and work of the iconic Texas artist.

Garland Fielder reviews "The Bikeriders," a film based on the book of the same name by photographer Danny Lyon.

Meher Qazilbash reviews an exhibition of bright paintings by shedshow co-founder Mai Snow at Northern-Southern.

Peter Briggs reviews a show of Jane Abrams's work spanning six decades of art making and charts her transition from printmaking to painting.

A video tour of the exhibition "Nosheen Iqbal: Convergences," July 26 - September 8, 2024.

Ruben C. Cordova escribe sobre la exposición “Ángel Rodríguez-Díaz: The Goddess Triptych Reunited” en el Museo de Arte de San Antonio.

William Sarradet interviews McKay Otto, a renowned painter based in Wimberley, Texas, known for his luminous, ethereal works that explore the nature of light and transcendence.

This week: a solo exhibition of abstracted landscapes in Houston, a personal memorial project involving counting days by walking miles in Dallas, a group show reflecting on the work of Elizabeth Catlett in San Antonio, and more.

Gabriel Martinez visits the 2024 Armory Show in New York City and finds some Texas-based and Texas-adjacent artists.

Brandon Zech writes about an exhibition that examined a cross-section of mid-century pulp illustrations.

Michael Flanagan talks with Dave Hickey about Vernon Fisher, learning from bad art, and their time in the Texas art scene.

Alli Rogers Andreen reviews an exhibition of monumental, Renaissance tapestries at the Kimbell Art Museum.

William Sarradet talks with Brian David Johnson about his time in Austin's robust art scene and his experience running Cloud Tree Studios and Gallery.

Jessica Fuentes writes about Texas artists José Villalobos, Bernardo Vallarino, and Lauren Woods, who have incorporated tattoos into their performance practice.