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The Glasstire Auction will begin on May 23rd at 10 AM CST and will close on May 30th at 9 PM CST.
About the Auction
The Glasstire Auction is a celebration of visual art in Texas. Although this auction was planned for Glasstire’s annual party in Houston, which was scheduled for March 27, 2020 and cancelled due to the coronavirus, we’re thrilled to still be able to share the work of these wonderful Texas artists with you online. Glasstire is a nonprofit, and we rely on this fundraiser to help support our operations. Proceeds from this auction are split between the contributing artists and Glasstire, meaning that by purchasing a piece you’re directly supporting both our publication and independent Texas artists. We hope you enjoy this selection of poignant, funny, wild and beautiful artworks. Thank you for your support.
Pickup, Delivery & Shipping Information
Auction artwork pickup and delivery in Houston can be arranged once the auction closes by emailing Glasstire’s Development Manager, McKenzie Watson-Fore, at [email protected]. Costs for shipping or delivery of artworks outside of Houston must be assumed by the purchaser.
Auction Artworks
Sterling Allen, Untitled (pink), 2016. Wood, acrylic, 8.5 x 10.25 x 7.12 inches
Sterling Allen, Untitled (teal), 2016. Wood, acrylic, 10 x 6.5 x 7.25 inches
Helen Altman, Fancy, 2017. Wire, millinery birds, ribbon, and steel, 18 x 14 x 7 inches
Camp Bosworth, Root Beer Float, 2018. Wood, acrylic, and gorilla glue, 15.5 x 5.5 inches
Elaine Bradford, Imposter, 2017. Mixed media, 7 x 14 x 7 inches
Celia Eberle, The Night Has a Thousand Eyes, 2015. Pit fired raku clay, brass, and glass, 4 x 11 x 1 inches. Edition 9 of 58.
Celia Eberle, The Night Has a Thousand Eyes, 2015. Pit fired raku clay, brass, and glass, 4 x 11 x 1 inches. Edition 25 of 58.
Celia Eberle, The Night Has a Thousand Eyes, 2015. Pit fired raku clay, brass, and glass, 4 x 11 x 1 inches. Edition 41 of 58.
Jenelle Esparza, Strange Gods 6 (Commandments), 2010. Backlit print, LEDs, wood, and hardware, 20 x 30 x 4 inches
Tommy Gregory, Loading…Again, 2020. Diamond engraved cast bronze, 4.25 x 5.5 x .5 inches
Tommy Gregory, U.S.B., 2019. Cast bronze, 1.5 x .75 x .25 inches
Robert Jackson Harrington, ‘Too Many Chiefs…’, 2017. Adhesive vinyl, opaque paint marker and collage on rice paper, 25 x 37 inches
Jules Buck Jones, Trinity Tributary, 2020. Watercolor, ink, pastel, and pencil on paper, 47 x 42 inches
Melinda Laszczynski, Smash, 2018. Porcelain, dyed porcelain, glaze, and luster, 9.5 x 11 x 8.5 inches
Tierney Malone, You Were Always on My Mind, 2020. Gouache, mixed medium on paper, 10 x 8 inches, 16 x 13 inches with frame
Gabo Martinez, Mexica, 2020. Earthware, underglaze, sgraffito, 10.5 x 11 inches round
Kevin McNamee-Tweed, Carriers, 2020. Glazed ceramic, 7 x 9 inches
Kevin McNamee-Tweed, Almost Frogs (Tadpoles), 2020. Glazed ceramic, 4.75 x 6 inches
Bucky Miller, Shelter (Form), 2017. Pigment print, 24 x 36 inches
Juan de Dios Mora, Montando a la Escoba Voladora, 2010. Linocut, 22 x 30 inches
Robyn O’Neil, Two Miles Away, 2017. Graphite on paper, 9 x 11 inches
Emily Peacock, H.S.A.N.O. Home Security Apparatuses for Non-Desirable Outcomes, 2019. Archival inkjet print mounted to aluminum, 36 x 24 inch ovals
Brandon Thompson, Can’t Let the Devil Steal Ya Joy, 2019. Acrylic on canvas, 58 x 63.5 inches
Brad Tucker, Fruiting Age, 2019. Acrylic on canvas, 20 x 20 inches
Ryder Richards, When in doubt, apply more tension, 2019. Acrylic, graphic on paper, 30 x 22 inches
Susie Rosmarin, #402. Violet., 2008. Acrylic on canvas, 20 x 20 inches
Giovanni Valderas, NO HAY PEDO (Canary), 2016. Newsprint, paper, acrylic paint on mulberry paper on wood, 48 x 36 inches
Vincent Valdez, Berlin, 2019. Edition 4/10, Etching, 16 x 12 inches
Jon Whitfill, Premiere Sphere, 2020. Powder coated welded steel, 9 inches diameter
Zeke Williams, Gallia/Lucina, 2019. Archival inkjet on canvas, 36 x 27 inches
Scott Winterrowd, Greetings from Big Bend (Nocturne), 2019. Watercolor and ink on paper, 16.5 x 16.5 inches
1 comment
Tommy Gregory Loading…Again is brilliant. We stare, waiting. Title could be shortened to Loading.. to better effect.