Review

Jessica Fuentes writes about the second iteration of the exhibition “Soy de Tejas: A Statewide Survey of Latinx Art,” on view at Arts Fort Worth.

William Sarradet writes about two exhibitions at the African American Museum, Dallas and the Galveston Arts Center.

Jason Gudasz writes about both his visit to Michael Heizer's large-scale artwork "City," and a screening at the Sphere in Las Vegas.

Jacky Cortiaus reviews an exhibition at the MFAH of works made over the course of a single summer that gave birth to a movement.

William Sarradet writes about five films by Rosa von Praunheim, Ryan Trecartin, and Wong Kar Wai, screened at Spacy in Dallas.

Hills Snyder reviews Alex Garland's film "Civil War."

Donna Tenant reviews an exhibition of new photographic, performative, and textile-based artworks by Sarah Sudhoff at Andrew Durham Gallery in Houston.

Rosa Boshier González reviews an exhibition of drawings and prints by artist Ruth Asawa at the Menil Drawing Institute in Houston.

Seyde Garcia writes about the interconnectedness of "Vernacular Systems," on view at the Contemporary at Blue Star in San Antonio.

Neil Fauerso reviews the exhibition "Upward Mobility" by the de la Torre brothers, on view at the McNay Art Museum in San Antonio.

Jessica Fuentes escribe sobre obras de Nortejiendo, Haydee Alonso y Verónica Ibargüengoitia, expuestas en la “2024 Border Biennial / Bienal Fronteriza 2024” en El Paso y Ciudad Juárez.

Ruben Cordova reviews the exhibition "The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum" currently on view at the San Antonio Museum of Art.

Jessica Fuentes reviews “Surrealism and Us: Caribbean and African Diasporic Artists since 1940” at the Modern Art Museum of Fort Worth.

Melissa L. Mednicov reviews the work of abstract expressionist pioneer Janet Sobel, whose contributions to art history are being reevaluated.

Colette Copeland writes about performances by contemporary Indian artists that address concepts of home, labor, and class.

Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.

Valentin Diaconov reviews "Hayv Kahraman: The Foreign in Us," on view at the Moody Center for the Arts at Rice University in Houston.

Michele Brangwen reviews a performance by the Fire and Water Quintet, which drew inspiration from the works of Cy Twombly.

Caroline Frost reviews a show of works by Joe Harjo that confront the impacts the Trail of Tears had on Muscogee women and other Native tribes.

William Sarradet reviews two exhibitions in Dallas at Liliana Bloch Gallery and Southern Methodist University's Hawn Gallery.