This week: a Cuban artist opens their first U.S. solo museum exhibition in Houston, a show in Austin of artworks that reference and deconstruct large-scale public sculptures, emerging painters from Texas State University present their work in Lockhart, and more.
sala diaz
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This week: a group show featuring over 100 artists in Houston, a retrospective of abstract works in Fort Worth, fourteen women-identifying artists examine womanhood in Austin, and more.
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Heyd Fontenot, the consulting Director of Sala Diaz in San Antonio, is stepping down from his position. Ethel Shipton, the organization’s board president, will take on the directorship.
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Colette Copeland reviews San Antonio exhibitions at Fl!ght Gallery, Presa House Gallery, and Artpace, and previews an upcoming show at Sala Diaz.
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Sala Diaz, a nonprofit exhibition space in San Antonio’s Cultural Arts District, has announced its acquisition of a new building, as well as details of its 2023 programs and exhibiting artists.
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This week: solo shows honoring award-winning artists in Houston, a group show exploring the aesthetics of camp and queerness in Dallas, an exhibition of photograms created using expired gelatin silver paper found in Robert Rauschenberg’s darkroom, and more.
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This spring, art enthusiasts across Texas will have various opportunities to encounter spaces featuring sound-based art.
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In this final iteration of Sala Stories, artist Yunhee Min remembers her 1999 project at San Antonio art space Sala Diaz.
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Sala Diaz was the first space of its kind through which I came to recognize and appreciate the important duality of a house-space.
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This week, San Antonio artist Juan Miguel Ramos talks about his 2002 public art project and exhibition at Sala Diaz.
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This week, San Antonio artist James Smolleck discusses how a 2012 show at Sala Diaz ignited a new spark in his work.
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Former Casa Chuck resident artist and current Interim Director of Sala Diaz, Heyd Fontenot, considers various artist ecologies, cinematic and actual, and fantasizes a domicile to contain it all.
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This week, Ethel Shipton finds that spilled paint is just another way to get there, and recalls the beginnings of friendship with Tracey Snelling, who writes about her summer 2003 experience at Sala Diaz.
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This week Alejandro Diaz channels Aesop recalling the 1997 Jesse Amado show at Sala Diaz, while Jesse Amado takes us back to Madrid for ARCO 02.
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These stories, and those that follow, paint a picture of an artist-run-space of humble beginnings — grass roots that will never harden into an institutional surface.
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"Sala Diaz has existed for 25 years because people have been generous with their time and their ideas. This is Sala Diaz’s legacy — that it exists because of this incredible community.”
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Gupta oversaw the the current exhibition "Birds, Rats, Roses" by San Antonio artist Mark Menjivar, which is up through February 28.
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The contract between the individual and the community is the space where Mark Menjivar focuses his efforts.
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Christopher Blay and Brandon Zech on the last few days of a great show in San Antonio, the first days of FotoFest, and the final show at Texas’ longest-lived art collective space.
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This show is bracingly unsparing and unsentimental.