In the third part of his portrait series, William Sarradet profiles the artists, curators, volunteers, and other people who enliven South Texas' art community.

The Bayou City Art Festival, an annual Houston-area event, has announced open calls for artists and college art students to participate in the fall event.

Mark “Scrapdaddy” Bradford, a Houston-based artist, has opened a new nonprofit art space, called The Mark Bradford Project, in the Independence Heights neighborhood.

This week: a solo exhibition in Houston featuring mixed media works depicting everyday scenes from Black life in America, collaborative prints highlighting Indigenous voices in Corpus Christi, a major group show of collage and assemblage works in Dallas, and more.

Lawndale, a Houston-based multidisciplinary contemporary art center, has announced the artists selected for “The Big Show” 2023.

Caleb Bell talks with North Texas-based artist Dan Lam about her practice, her commission for Meow Wolf Grapevine, and her upcoming projects.

Leslie Thompson writes about the history of the Tougaloo College Art Collections, a selection of which is on view at the Oklahoma City Museum of Art.

The City of San Antonio’s Department of Arts & Culture will honor the legacy of artist Jesse Treviño, who died earlier this year.

The Modern Art Museum of Fort Worth is one of 23 cultural institutions to receive an art conservation grant from Bank of America.

Caroline Frost reviews "Dream States," a show of works by five filmmakers on view at ICOSA Collective in Austin.

Rosa Boshier González reviews the exhibition "Narrative Threads: Fiber Art Today," on view at the Moody Center for the Arts in Houston.

An obituary for Woodrow Marshall Blagg, Jr., a Pennsylvania-based artist with deep connections to Fort Worth, Texas.

William Sarradet talks with Nick Barbee about his artwork, his founding of the Galveston Art Lending Library, and why he decided to settle in the city.

The Mellon Foundation, in partnership with the Alice L. Walton Foundation, the Ford Foundation, and Pilot House Philanthropy have announced over $11 million in funding to museums to increase racial equity in leadership roles.

Barbara Purcell reviews the exhibition "Then and Now" by artist Lindy Chalmers, on view at Women & Their Work in Austin.

The Dallas Museum of Art has announced six architectural firms as finalists in its design competition launched to reimagine the museum’s building.

Doug Welsh reviews the exhibition "Alluvial Plane" by Jonathan Faber, on view at David Shelton Gallery in Houston.

Earlier this week, Sightlines, an Austin-based arts and culture online magazine, announced that it has ceased publishing.

This week: a group exhibition of contemporary fiber works in Houston, a co-curated exhibition in Wichita Falls, a solo show of self-portraits in Austin, and more.

A video about artist Eamon Ore-Giron's project for Landmarks, The University of Texas at Austin's public art program.