August 2 - September 10, 2022
From Blind Alley:
“Blind Alley projects is pleased to present Aileen Harvey: Lag which opens Tuesday, August 2, with the artist onsite for an opening event 6 to 8pm at the gallery. It has been a pleasure to work with such a bright mind and relentless eye, an artist with a probing spirit who has taken into account the relationships of material, form, time, and space as well as linking here and there in tangible and poetic ways.
In a statement about the exhibition at Blind Alley, Harvey explains, I was very taken with the vitrine space of Blind Alley projects, with its possibilities for haptic viewing and visual wrong-footing, the kind of optical layering of spaces that I enjoy. I’ve been thinking about the shapes of time, and how it accretes in things, makes loops and switchbacks, or movements of burying and uncovering. I think of the sculptures in Lag as process drawings, where each form arises from a repeated gesture. In a way, they’re growths. They’re a little bit planned but evolve in intuitive response to the material and what emerges – formally they interest me when they hover between biomorphism and abstraction. I also like it when my tendency to see faces is activated, lending them something of the green (wo)man: the old English hybrid figure, half tree, half human, symbolic of unruly nature erupting into new life. For me, it’s a question of our continuity with the more-than-human, of acknowledging ourselves to be run through with wildness and nonhuman beings. The materials themselves also matter, in their behaviours in the hand and in the kiln, in their transformations and flux, and in what they began as: earth and ash. The homemade wood ash glaze and the clays were given by friends; one clay was dug raw from the Welsh ground. The materials are transitive; they draw out affinities, connecting places and especially people, through overlapping leaps of faith. On the wall here in Texas, they become pauses for the eye, temporary congealments. There is a different kind of time in the film that plays, barely discernible, on the floor. It’s an intrusion, a dusting of foreign light that ghosts the space, that almost seems to fit in, but doesn’t get away with it. It’s hot and the penny is dropping. The sunlight fell a while ago, on concrete, on cracked stone; through a grove of ancient olives, through the leaves of a pecan tree that won’t produce this year.
Artist bio:
Aileen Harvey is a London-based artist and researcher. She makes drawings or objects that consider relationships to
place. Her art materials are often homemade, from substances related to the landscape she is working with. The work
tends to follow a set of rules, wherein chance is given a role, and art processes can echo large-scale changes in
geology, weather, and growth. There is an element of experimentation and play running through her work, as well as a
practice of operating between things.
Harvey studied philosophy and then sculpture (MA Edinburgh, MPhil Cambridge and BA Wimbledon) and finds that
the subjects inform one another. Exhibitions include: The Photographers’ Gallery, London; An Lanntair, Stornoway;
Karussell, Zürich; Bernard Leach Gallery, St Ives; and Customs House Gallery, Sunderland. She has published journal
articles, book chapters, and a photo-book.”
Reception: August 2, 2022 | 6–8 pm
3317 West 4th Street
Fort Worth, 76107 Texas
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