July 30 - November 14, 2021
From the Menil Collection:
“Running along the western side of South America, the Andean Mountains have supported a rich, interconnected series of civilizations and empires for more than 3,000 years. Surveying this captivating, multifaceted world, the Menil Collection will present Enchanted: Visual Histories of the Central Andes from July 30 through November 14, 2021. The exhibition will showcase works from the museum’s collection and loans from the Museum of International Folk Art in Santa Fe, NM.
More than forty objects from different historical moments of Andean history will be on view— including polychrome ceramic vessels of the Nazca culture (ca. 100 BCE–800 CE), important textiles from the Wari (ca. 600–1000 CE) and Chimú (ca. 1150–1450) civilizations, and 20th–21st century examples of elaborately embroidered esclavinas (short capes) and monteras (hats) worn during religious festivals in Peru. Complementing these objects is a selection of gelatin silver photographic prints by Pierre Verger, also known as Fátúmbí (1902–1996). Verger’s images of religious festivals in the Andes, taken between 1939 and 1945, highlight the costumes, dances, and dramatic moments of these annual events.
Rebecca Rabinow, Director of the Menil Collection, said, “Photographer Pierre Verger’s travels through the Andes in the 1940s were made possible, in part, thanks to the financial support of John and Dominique de Menil. The two portfolios of gelatin silver prints that he gave the couple at the time have never before been exhibited, which prompted Menil Curator of Collections Paul R. Davis to study the photographs along with related material in the collection. The resulting exhibition and online publication celebrating Andean visual cultures coincides with the 200th anniversary of Peru’s independence.”
Paul R. Davis, Curator of Collections, said, “This project led me to explore the museum’s permanent collection of Andean art more deeply and how it connects to the Menil’s rich institutional history. After meeting Verger by chance in 1941 while visiting Buenos Aires, Argentina, John and Dominique de Menil formed relationships with some of the leading scholars on the Andes and assembled a unique collection of objects from that area. The Menil is pleased to share these artworks in Enchanted, accompanied by a robust online publication.” Highlights of the artworks on view include:
• Three blue-and-yellow macaw feather panels from the Wari culture, an imperial power during the Middle Horizon in Peru (ca. 600–1000 CE);
• Textile fragments from the 10th–15th century, including a large two-panel section of the so-called “Prisoner Textile” from the Late Intermediate Period Chimú culture;
• Polychrome ceramic vessels attributed to the Early Intermediate (ca. 100 BCE–800 CE) Nazca and Moche cultures;
• A group of colonial–era painted keros (wood cups) from the 16th–18th centuries that were used consume chicha (maize beer) and other ceremonial drinks;
• An 18th-century painting of the Virgin of Bethlehem (Virgen de Belén), one of the patron saints of Cuzco, Peru. Enchanted: Visual Histories of the Central Andes will be accompanied by an online publication with multimedia features and essays by Paul R. Davis, Curator of Collections, the Menil Collection; Susan E. Bergh, Chair of the Art of Africa and the Americas and Curator of Pre- Columbian and Native North American Art, Cleveland Museum of Art; Kari Dodson, Associate Objects Conservator, the Menil Collection; Zoila S. Mendoza, Professor and Chair, Native American Studies, University of California, Davis; Amy Groleau, Curator, Smithsonian Institution, National Museum of the American Indian; Heidi King, Independent Scholar; and Ana Girard, University of Houston Fellow at the Menil Collection. Contextualizing the artworks in the museum’s permanent collection, the publication will be available in both English and Spanish at menil.org/read. Paul R. Davis surveys the ancient history of the region and the formation of this aspect of the de Menils’ collection during the mid- 20th century. Essays by Susan E. Bergh, Heidi King, and Kari Dodson examine the two historically enigmatic textiles in the museum’s permanent collection—the Chimú “Prisoner Textile” and iconic Wari blue-and-yellow macaw feathered panels. Ana Girard writes about colonial works. In their essays, Zoila S. Mendoza and Amy Groleau emphasize the importance of festivals as spaces to perform, celebrate, contest, or reinvent the Andean culture.
About the Menil Collection
Houston philanthropists and art patrons John and Dominique de Menil established the Menil Foundation in 1954 to foster greater public understanding and appreciation of art, architecture, culture, religion, and philosophy. In 1987, the Menil Collection’s main museum building opened to the public. Today, the Menil Collection consists of a group of five art buildings and green spaces located within a residential neighborhood. The Menil remains committed to its founders’ belief that art is essential to human experience and fosters direct personal encounters with works of art. The museum welcomes all visitors free of charge to its buildings and surrounding green spaces. menil.org
This exhibition is generously supported by Micheline and Germán Newall; the Ferreyros Family; Brian M. Smyth and Rebecca E. Marvil; John Zipprich; and the City of Houston through the Houston Arts Alliance.”
On View: July 30, 2021 | 1–5 pm
Lecture: October 15, 2021 | 7–8 pm
Zoila Mendoza Lecture: The Folkloric Arts of the Peruvian Andes, in the Main Building
1515 Sul Ross
Houston, 77006 TX
(713) 525-9400Get directions